<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Width [cm] 33

Remove constraint Width [cm]: 33

Associated People Shakespeare, William (1564–1616), playwright and poet

Remove constraint Associated People: Shakespeare, William (1564–1616), playwright and poet

Search Results

Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!
Print made by George Cruikshank, 1792–1878
A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834
"Hubert, let me not be bound!"
1802
William Heath Opera Reminiscences: Desdemona and Othello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Othello
1829
William Heath Opera Reminiscences: Desdemona and Otello
Print made by William Heath, 1795–1840
Opera Reminiscences: Desdemona and Otello
1829
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
John Hamilton Mortimer Edgar, "King Lear", Act III, Scene III
John Hamilton Mortimer, 1740–1779
Edgar, "King Lear", Act III, Scene III
1775
James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
Samuel William Reynolds Garrick, In the Character of Abel Drugger
Samuel William Reynolds, 1773–1835
Garrick, In the Character of Abel Drugger
1825
John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
unknown artist King Henry VI, Second Part, Act 3, Scene 3
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834
"Then go, bid the huntsmen wake them with their horns"
1802
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834
"Mark your divorce young sir, whom son I dare not call"
1804
John Hamilton Mortimer Caliban, from The Tempest
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
Lumb Stocks Florizel and Perdita
Print made by Lumb Stocks, 1812–1892
Florizel and Perdita
1867
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
Joseph Farington Shakespearean Scene (?): A Pilgrim
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
unknown artist Reclining Nude, Possibly Titania
unknown artist
Reclining Nude, Possibly Titania
undated
James Parker Falstaff in the Buck-Basket - "The Merry Wives of Windsor", Act III, Scene III
James Parker, 1750–1805
Falstaff in the Buck-Basket - "The Merry Wives of Windsor", Act III, Scene III