[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
3
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
4
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
5
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
6
Print made by William Dickinson, 1746–1823
A Lady and Children
1780
7
Print made by John Raphael Smith, 1752–1812
A Lady at Haymaking
1780
8
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
9
Daniel Lerpiniere, c.1745–1785
A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
1780
10
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
11
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
12
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
13
Print made by James Bretherton, ca. 1730–1806
A Riding-House
1780
14
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
15
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
16
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
17
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
18
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
19
unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
20
unknown artist
A View of the City of Oporto
between 1780 and 1815
21
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
22
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
23
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
24
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
25
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
26
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
27
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
28
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
29
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
30
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
31
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
32
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
33
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
34
Valentine Green, 1739–1813
Anne Townshend, Marchioness Townshend
1780
35
unknown artist
Ass Upon Ass
1780
36
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
37
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
38
Joseph Haynes, 1760–1829
Banditti
1780
39
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
40
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
41
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
42
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
43
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
44
Print made by Robert Blyth, 1750–1784
Belisarius
1780
45
Print made by Robert Blyth, 1750–1784
Belisarius
1780
46
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
47
Print made by unknown artist
Captain Jonathan Carver
1780
48
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
49
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
50
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
51
Print made by Edward Dayes, 1763–1804
Coach Horses
1780s
52
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
53
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
54
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
55
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
56
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
57
Print made by Philip Dawe, ca.1750–ca.1790
Constantia
1780
58
Print made by Valentine Green, 1739–1813
Countess of Harrington
1780
59
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
60
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
61
Print made by Valentine Green, 1739–1813
Duchess of Rutland
1780
62
unknown artist
Ecclesiastical, and, Political, State of the Nation
1780
63
Johann Jacobé, 1733–1797
Edward Chamberlayne
1780
64
William Dickinson, 1746–1823
Elizabeth Countess of Derby
1780
65
Print made by John Dean, 1754–1798
Elizabeth, Countess of Derby
1780
66
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
67
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
68
unknown artist
Father Peters Leading his Mangy Whelp to be Touched for the Evil
1780
69
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
70
Robert Blyth, 1750–1784
Fisherman
1780
71
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
72
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
73
unknown artist
Frontispiece to Jarvis and Fielding's Edition of Dr. Johnson's Dictionary
ca. 1785
74
Valentine Green, 1739–1813
Georgiana Duchess of Devonshire
1780
75
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire
1780
76
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
77
Print made by Johann Jacobé, 1733–1797
Hebe
1780
78
Print made by John Raphael Smith, 1752–1812
Henrietta Countess of Warwick
1780
79
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
80
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
81
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
82
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
83
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
84
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
85
James Sayer, 1748–1823
Impeachment Ticket
ca. 1785
86
Print made by James Caldwall, 1739–1819
Inside view of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
87
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
88
Print made by unknown artist
James Northcote
between 1780 and 1820
89
Valentine Green, 1739–1813
Jane, Countess of Harrington
1780
90
James Gillray, 1756–1815
John Bull Triumphant
1780
91
John Watts, active 1766–1786
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
1780
92
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy