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Date 1780

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Classification Prints

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unknown artist [ man with a candle ]
unknown artist
[ man with a candle ]
178-?
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
 [Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield].
[Commercial traveler's catalog of silver-plated ware, possibly made in Sheffield]
[ca. 1780]
James Gillray A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
William Dickinson A Lady and Children
Print made by William Dickinson, 1746–1823
A Lady and Children
1780
John Raphael Smith A Lady at Haymaking
Print made by John Raphael Smith, 1752–1812
A Lady at Haymaking
1780
John Raphael Smith A Man-Trap
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
Daniel Lerpiniere A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
Daniel Lerpiniere, c.1745–1785
A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
1780
Thomas Bowles A Perspective View of the Town and Fortifications of Malta
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
John Bowles A Perspective View of Venice
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
Thomas Bowles A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
James Bretherton A Riding-House
Print made by James Bretherton, ca. 1730–1806
A Riding-House
1780
J. Carwitham A South-East View of the City of Boston in North America
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
Thomas Bowles A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
Thomas Bowles A View of Little St. Mark's Place at Venice to the Sea
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
unknown artist A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
unknown artist
A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
1780
Thomas Bowles A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
unknown artist A View of Rotterdam, and the River Maese with Variety of Shipping
unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
unknown artist A View of the City of Oporto
unknown artist
A View of the City of Oporto
between 1780 and 1815
Nathaniel Parr A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
unknown artist A View of the Palace of Triano towards the Flower Garden
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
unknown artist A View of the Ruins of the Temple of Jupiter Olympius at Athens
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
James Gillray Ah, Grant A Me Von Letel Bite
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
Sir Joseph Ayloffe An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
James Basire the younger An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
Henry Roberts An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
Francesco Bartolozzi Angelica Kauffman
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
Valentine Green Anne Townshend, Marchioness Townshend
Valentine Green, 1739–1813
Anne Townshend, Marchioness Townshend
1780
unknown artist Ass Upon Ass
unknown artist
Ass Upon Ass
1780
Charles Reuben Ryley Bacchanalian with Maiden
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
Joseph Haynes Bandit with old man and young woman (no.2 of 10)
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
Joseph Haynes Banditti
Joseph Haynes, 1760–1829
Banditti
1780
Joseph Haynes Banditti (no.7 of 10)
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
Joseph Haynes Banditti and Women (no.6 of 10)
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
Joseph Haynes Banditti at market (no.2 of 10)
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
Robert Blyth Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
Robert Blyth Belisarius
Print made by Robert Blyth, 1750–1784
Belisarius
1780
William Watts Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
unknown artist Captain Jonathan Carver
Print made by unknown artist
Captain Jonathan Carver
1780
Francesco Bartolozzi Che L'uom Trae Dal Sepolgro E A Morte Fura
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
Francesco Bartolozzi Cipriani's Daughter
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
Francesco Bartolozzi Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
Edward Dayes Coach Horses
Print made by Edward Dayes, 1763–1804
Coach Horses
1780s
John Chapman Collection of Prints by Notable Dilettanti
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
Philip Dawe Constantia
Print made by Philip Dawe, ca.1750–ca.1790
Constantia
1780
Valentine Green Countess of Harrington
Print made by Valentine Green, 1739–1813
Countess of Harrington
1780
Francesco Bartolozzi Cupid's Manufactory
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
Francesco Bartolozzi Diana of Ephesus Being Unveiled by Cupid and Mercury
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
Valentine Green Duchess of Rutland
Print made by Valentine Green, 1739–1813
Duchess of Rutland
1780
unknown artist Ecclesiastical, and, Political, State of the Nation
unknown artist
Ecclesiastical, and, Political, State of the Nation
1780
Johann Jacobé Edward Chamberlayne
Johann Jacobé, 1733–1797
Edward Chamberlayne
1780
William Dickinson Elizabeth Countess of Derby
William Dickinson, 1746–1823
Elizabeth Countess of Derby
1780
John Dean Elizabeth, Countess of Derby
Print made by John Dean, 1754–1798
Elizabeth, Countess of Derby
1780
Francesco Bartolozzi Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
Francesco Bartolozzi Fan Mount: Hope Nursing Love
Francesco Bartolozzi, 1728–1815
Fan Mount: Hope Nursing Love
1780
unknown artist Father Peters Leading his Mangy Whelp to be Touched for the Evil
unknown artist
Father Peters Leading his Mangy Whelp to be Touched for the Evil
1780
James Caldwall Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
Robert Blyth Fisherman
Robert Blyth, 1750–1784
Fisherman
1780
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
Agostino Brunias Free Natives of Dominica
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
unknown artist Frontispiece to Jarvis and Fielding's Edition of Dr. Johnson's Dictionary
unknown artist
Frontispiece to Jarvis and Fielding's Edition of Dr. Johnson's Dictionary
ca. 1785
Valentine Green Georgiana Duchess of Devonshire
Valentine Green, 1739–1813
Georgiana Duchess of Devonshire
1780
Valentine Green Georgiana, Duchess of Devonshire
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire
1780
Francesco Bartolozzi Group Of Four Children
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
Johann Jacobé Hebe
Print made by Johann Jacobé, 1733–1797
Hebe
1780
John Raphael Smith Henrietta Countess of Warwick
Print made by John Raphael Smith, 1752–1812
Henrietta Countess of Warwick
1780
Francesco Bartolozzi His Ego Ne Metas Rerum, Nec Tempora Pono:...
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
Francesco Bartolozzi Hope Nursing Love (Fan)
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
Francesco Bartolozzi I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
Francesco Bartolozzi Illustration From Bell's Edition of The Poets of Great Britain
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
Francesco Bartolozzi Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
James Sayer Impeachment Ticket
James Sayer, 1748–1823
Impeachment Ticket
ca. 1785
James Caldwall Inside view of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
Print made by James Caldwall, 1739–1819
Inside view of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
James Caldwall Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
unknown artist James Northcote
Print made by unknown artist
James Northcote
between 1780 and 1820
Valentine Green Jane, Countess of Harrington
Valentine Green, 1739–1813
Jane, Countess of Harrington
1780
James Gillray John Bull Triumphant
James Gillray, 1756–1815
John Bull Triumphant
1780
John Watts Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
John Watts, active 1766–1786
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
1780
John Watts Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
1780
unknown artist L(or)d Am(hers)t on Duty
unknown artist
L(or)d Am(hers)t on Duty
1780
John Raphael Smith Lady Beauchamp
John Raphael Smith, 1752–1812
Lady Beauchamp
1780
John Raphael Smith Lady Beaumont
Print made by John Raphael Smith, 1752–1812
Lady Beaumont
1780
John Raphael Smith Lady Elizabeth Compton
Print made by John Raphael Smith, 1752–1812
Lady Elizabeth Compton
1780
John Raphael Smith Lady Gertrude Fitzpatrick
Print made by John Raphael Smith, 1752–1812
Lady Gertrude Fitzpatrick
1780
John Dean Lady Gertrude Fitzpatrick as Collina
Print made by John Dean, 1754–1798
Lady Gertrude Fitzpatrick as Collina
1780
Francesco Bartolozzi Lavinia, The Milk Maid
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
Johann Jacobé Lord George Germain
Print made by Johann Jacobé, 1733–1797
Lord George Germain
1780