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Date 1780

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101. Hebe

Hebe
Creator:
Print made by Johann Jacobé, 1733–1797
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 28 × 21 1/4 inches (71.1 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

102. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
Print made by Valentine Green, 1739–1813
Date:
1780
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 x 16 1/2 inches (52.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

103. Sir Richard Pearson

Sir Richard Pearson
Creator:
James Watson, 1740–1790
Date:
1780
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 11 x 15 5/8in. (27.9 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

104. Theodosius

Theodosius
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

105. Constantia

Constantia
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

106. A Lady and Children

A Lady and Children
Creator:
Print made by William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 27 × 19 3/4 inches (68.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

107. Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
Creator:
Print made by James Caldwall, 1739–1819
Date:
1780
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 16 5/8 x 22 1/4in. (42.2 x 56.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
Creator:
James Caldwall, 1739–1819
Date:
1780
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. Ecclesiastical, and, Political, State of the Nation

Ecclesiastical, and, Political, State of the Nation
Creator:
unknown artist
Date:
1780
Dimensions:
Sheet: 9 3/4 x 12 7/8in. (24.8 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. The Fruit Barrow

The Fruit Barrow
Creator:
John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. Procession of the Protestant Association to Westminster

Procession of the Protestant Association to Westminster
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. Fisherman

Fisherman
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Belisarius

Belisarius
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 12 1/4 x 10 3/16 inches (31.1 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Belisarius

Belisarius
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 12 3/16 x 10 3/16 inches (31 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Saint Paul Preaching to the Britons

Saint Paul Preaching to the Britons
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 21 7/8 x 27 3/8in. (55.6 x 69.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)

Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy

Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
Creator:
John Watts, active 1766–1786
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/16 × 14 3/4 inches (51.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

120. Portrait of a Gentleman

Portrait of a Gentleman
Creator:
Charles Wilson Peale, 1741–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor on ivory
Dimensions:
Frame: 2 3/8 x 1 5/8 x 1/4 inches (6 x 4.1 x 0.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

121. His Ego Ne Metas Rerum, Nec Tempora Pono:...

His Ego Ne Metas Rerum, Nec Tempora Pono:...
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Sir Anthony Van Dyck

Sir Anthony Van Dyck
Creator:
William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 13/16 × 9 7/8 inches (35.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Vignette: Monk Giving Letter to a Pregnant Woman in a Cell

Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Sir Joshua Reynolds

Sir Joshua Reynolds
Creator:
Valentine Green, 1739–1813
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 19 x 15in. (48.3 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Sleeping Monsters

Sleeping Monsters
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Winged Monster (no.10 of 10)

Winged Monster (no.10 of 10)
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching
Dimensions:
Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...

A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 3/4 x 6 1/4in. (19.7 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. Nap in the Country - Nap in Town

Nap in the Country - Nap in Town
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Impeachment Ticket

Impeachment Ticket
Creator:
James Sayer, 1748–1823
Date:
ca. 1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 1/2 x 5 7/8in. (19.1 x 14.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

131. The Pitt Fall

The Pitt Fall
Creator:
Print made by Frederick George Byron, 1764–1794
Date:
ca. 1785
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 13 3/4 x 10 1/4in. (34.9 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

132. John Bull Triumphant

John Bull Triumphant
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 13 1/8in. (21.3 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

133. The Triumphant Britons

The Triumphant Britons
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Ah, Grant A Me Von Letel Bite

Ah, Grant A Me Von Letel Bite
Creator:
James Gillray, 1756–1815
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 3/8 x 5 3/8in. (13.7 x 13.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. The Royal Ass

The Royal Ass
Creator:
James Stewart, 1791–1863
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 5/8 x 8 1/8in. (14.3 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Review of the York Regiment

Review of the York Regiment
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 3/8 x 10 1/2in. (16.2 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. The Whore of Babylons Caravan with a Cargo of Popish Blessings

The Whore of Babylons Caravan with a Cargo of Popish Blessings
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Father Peters Leading his Mangy Whelp to be Touched for the Evil

Father Peters Leading his Mangy Whelp to be Touched for the Evil
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 11/16 x 9 3/16in. (14.4 x 23.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. The Association Officers or City Defenders

The Association Officers or City Defenders
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 5/8 x 13 1/8in. (19.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Proverbs, Chapter VII, verses 7, 10, 13

Proverbs, Chapter VII, verses 7, 10, 13
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/16 inches (35.9 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

141. A Man-Trap

A Man-Trap
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
c.1780
Materials & Techniques:
Mezzotint on laid paper
Dimensions:
Plate: 13 15/16 x 11 1/2in. (35.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. A Lady at Haymaking

A Lady at Haymaking
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Plate: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

143. Socrates

Socrates
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond

Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Illustration From Bell's Edition of The Poets of Great Britain

Illustration From Bell's Edition of The Poets of Great Britain
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca. 1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

146. Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill

Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC

Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Diana of Ephesus Being Unveiled by Cupid and Mercury

Diana of Ephesus Being Unveiled by Cupid and Mercury
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

149. Ticket to Mr. Fierville's Ball

Ticket to Mr. Fierville's Ball
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

150. A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards

A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
Creator:
Daniel Lerpiniere, c.1745–1785
Date:
1780
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 1/2 x 23 9/16in. (47 x 59.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Time and Beauty

Time and Beauty
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

152. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

153. Cipriani's Daughter

Cipriani's Daughter
Creator:
Francesco Bartolozzi, 1728–1815
Date:
ca.1785
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

154. George Morland

George Morland
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1780 and 1799
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/8 x 6 3/16 inches (25.7 x 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Skating on the Serpentine

Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. An Audience Watching a Play at Drury Lane Theatre

An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 14 5/16 inches (23.8 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. James Northcote

James Northcote
Creator:
Print made by unknown artist
Date:
between 1780 and 1820
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Views in the Levant: The Colossus of Barletta

Views in the Levant: The Colossus of Barletta
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by John Chapman, act. 1772–1778
Date:
ca. 1785
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Original Drawings for Choix de Vues de L'Inde and Others, Volume I

Original Drawings for Choix de Vues de L'Inde and Others, Volume I
Creator:
William Hodges, 1744–1797
Date:
between 1780 and 1788
Materials & Techniques:
Album of drawings on sheets of medium, slightly textured, cream laid paper on 19th century wash mounts
Dimensions:
Spine: 30 inches (76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Original Drawings for Choix de Vues de L'Inde and Others, Volume II

Original Drawings for Choix de Vues de L'Inde and Others, Volume II
Creator:
William Hodges, 1744–1797
Date:
between 1780 and 1788
Dimensions:
Spine: 30 inches (76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Original Drawings for Choix de Vues de L'Inde and Others, Volume III

Original Drawings for Choix de Vues de L'Inde and Others, Volume III
Creator:
William Hodges, 1744–1797
Date:
between 1780 and 1788
Materials & Techniques:
Album of drawings on sheets of medium, slightly textured, cream laid paper on 19th century wash mounts
Dimensions:
Spine: 30 inches (76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. View of Modern Gateway in South East Angle of Dean's Yard

View of Modern Gateway in South East Angle of Dean's Yard
Creator:
John Carter, 1748–1817
Date:
between 1780 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. The Ladies' Shooting Poney

The Ladies' Shooting Poney
Creator:
Engraved by unknown artist
Date:
1780
Materials & Techniques:
Hand-colored mezzotint on wove paper
Dimensions:
Plate: 14 x 10in. (35.6 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. A South-East View of the City of Boston in North America

A South-East View of the City of Boston in North America
Creator:
J. Carwitham, active 1720–1740
Date:
undated
Materials & Techniques:
Hand-colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. A View of the Palace of Triano towards the Flower Garden

A View of the Palace of Triano towards the Flower Garden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. The City of Dresden

The City of Dresden
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. A View of the Ruins of the Temple of Jupiter Olympius at Athens

A View of the Ruins of the Temple of Jupiter Olympius at Athens
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. A View of the City of Oporto

A View of the City of Oporto
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. The Remains of the Great Temple in Palmira seen from the West. ...

The Remains of the Great Temple in Palmira seen from the West. ...
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
Creator:
Nathaniel Parr, active 1742–1751
Date:
between 1780-1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. The Entrance into the Temple of the Sun in Palmira from the East

The Entrance into the Temple of the Sun in Palmira from the East
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. A Perspective View of the Town and Fortifications of Malta

A Perspective View of the Town and Fortifications of Malta
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. A View of Rotterdam, and the River Maese with Variety of Shipping

A View of Rotterdam, and the River Maese with Variety of Shipping
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

A View of Amsterdam on each side the Old Rampart as seen from the Harbor
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Skating in Hyde Park

Skating in Hyde Park
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Concert Ticket: Benefit Night of Luigi Borghi

Concert Ticket: Benefit Night of Luigi Borghi
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/8 inches (14.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Ticket for the Benefit of Mr. Giardini

Ticket for the Benefit of Mr. Giardini
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 5 3/4 inches (16.5 x 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. The Muse Erato

The Muse Erato
Creator:
Joseph Zucchi, 1730–1790
Date:
1780
Materials & Techniques:
Stipple
Dimensions:
Sheet: 9 7/8 x 8in. (25.1 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Soldier with A Pike

Soldier with A Pike
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Rustick Dance

Rustick Dance
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)

Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Two Women at Toilette

Two Women at Toilette
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)

Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
Creator:
Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Banditti

Banditti
Creator:
Joseph Haynes, 1760–1829
Date:
1780
Materials & Techniques:
Etching and stipple engraving on thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 7/8 × 13 3/8 inches (35.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780

A View of Mr. Browne's House in Rochampton Lane and the havoc made on his premises by the dreadful Storm on Sunday Night, 15th October 1780
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Bacchanalian with Maiden

Bacchanalian with Maiden
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Monster with Maiden

Monster with Maiden
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Putti Dancing to the Pipe and Tambourine

Putti Dancing to the Pipe and Tambourine
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1780
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Lady Beauchamp

Lady Beauchamp
Creator:
John Raphael Smith, 1752–1812
Date:
1780
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/8 × 12 3/16 inches (41 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection