Date: 1796 / Classification: Prints - YCBA Collections Search Search Results

101. An Airing in Hyde Park

Creator:: Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. View of the Monument

Creator:: Philip Audinet, 1766–1837
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. The Patent Shot Manufactory with a View of Blackfriars Br. and St. Paul

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 9/16 x 11 5/8in. (21.7 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple, printed in color
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. 'Sweetwilliam'

Creator:: George Townly Stubbs, 1748–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 15 7/8 x 19 7/8in. (40.3 x 50.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The First of September - Morning

Creator:: George Morland, 1763–1804
Date:: 1796
Materials & Techniques:: Mezzotint, printed in color and colored by hand
Dimensions:: Sheet: 19 x 24in. (48.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. The First of September - Evening

Creator:: George Morland, 1763–1804
Date:: 1796
Materials & Techniques:: Mezzotint, printed in color and colored by hand
Dimensions:: Sheet: 19 x 24in. (48.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. "-the Stag repells each bold assault."

Creator:: John Neagle, 1796–1865
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

109. North Side of the Great Court, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Adam Street, Adelphi

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Part of Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Temple Bar

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Remains of Eltham Palace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. The Distress'd Situation of the Dutton East Indiaman

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1796
Materials & Techniques:: Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Ancient Church of the Knights Templars

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 x 9 7/8in. (35.6 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. South Front of St. Mary's Church, Strand

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 3/8 x 10 1/4in. (36.5 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Sewell's Folly, Battersea Rise

Creator:: Samuel Rawle, 1771–1860
Date:: undated
Materials & Techniques:: Engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 7/16 inches (14.8 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Lord Robert Hobart, 4th Earl of Buckinghamshire

Creator:: Joseph Grozer, ca. 1755–1798
Date:: 1796
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/8 × 13 7/8 inches (49.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Black-Friars Bridge

Creator:: James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 15/16 x 8 7/8in. (17.6 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. View of Blackfriars Bridge

Creator:: Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 1/2 x 11 5/16in. (21.6 x 28.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Distant View of the Fall of Lowdore, with part of Keswick Lake in Cumberland

Creator:: Francis Jukes, 1747–1812
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. View of the Grange at the Entrance of Borrowdale in Cumberland

Creator:: Francis Jukes, 1747–1812
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Putney Bridge

Creator:: James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Somerset Terrace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Great Court, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. The Adelphi

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Vestibule, Somerset Place

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. View of the Pest Houses at Tothill Fields

Creator:: Charles Pye, 1777–1864
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Hall of Eltham Palace

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. St. Mary's Church and Somerset House in the Strand

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Emilia, Duchess of Leinster

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 16 5/8 x 12 5/16 inches (42.2 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

132. Lady Charlotte Greville

Creator:: Print made by John Young, 1755–1825
Date:: 1796
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

134. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

135. Portrait, James Heath

Creator:: John Raphael Smith, 1752–1812
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Alto Relievo

Creator:: Benjamin Smith, 1775–1833
Date:: 1796
Materials & Techniques:: Stipple on medium, slightly textured, cream wove paper
Dimensions:: Mount: 30 1/4 × 20 7/8 inches (76.8 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

138. Fortune

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint with drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 10 3/4 inches (40.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

139. The Cherry Girl

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 11 1/4 inches (40 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Untitled

Creator:: W. Taylor, active 1790–1810
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

141. Sir Joshua Reynolds

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/16 × 14 7/8 inches (53.5 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

Creator:: Thomas Ryder, 1746–1810
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 23 5/8 x 19 3/4in. (60 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Paul Sandby

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Paul Sandby, Esq.

Creator:: Joseph Thomson, 18th century
Date:: 1796
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. John Taylor

Creator:: Print made by R. Clamp, fl.1789–1798
Date:: 1796
Materials & Techniques:: Mezzotint, etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 5/16 x 7 5/16 inches (26.2 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Fashionable Jockeyship

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. The Grand - Signior retiring

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Ladies Dress, as it soon will be

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. National Conveniences

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Marriage of Henry the seventh

Creator:: Print made by George Barret Jr., 1767–1842
Date:: 1796
Materials & Techniques:: Line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 1/8 × 4 15/16 inches (10.5 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Hunting, Shooting, etc. [set of six]: 4.Woodcock shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored with aquatinted border
Dimensions:: Sheet: 9 1/2 x 12 1/2in. (24.1 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Animals [a pair]: 2. Evening or the Post Boy's Return

Creator:: Daniel Orme, 1766–1837
Date:: 1796
Materials & Techniques:: Color printed stipple engraving
Dimensions:: Sheet: 16 15/16 x 22 13/16in. (43 x 57.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Portrait of Sir William Killigrew

Creator:: Print made by unknown artist
Date:: after 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 x 10in. (20.3 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret in memory of William Ferguson

162. Dr. Johnson's Monument in St. Paul's Church

Creator:: James Basire, 1730–1802
Date:: 1796
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 x 9 1/2in. (30.5 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

163. The Generae of Patriotism

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 7/8 inches (40.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. No.1 and No. 2 in the 8 stages of growth of the Surinam Frog

Creator:: Archibald Robertson, 1748–1788
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. No. 3 and 4 in the 8 stages of growth of the Surinam Frog

Creator:: Archibald Robertson, 1748–1788
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog

Creator:: Archibald Robertson, 1748–1788
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Chester

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 7/8 inches (20.3 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Bristol

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Northampton

Creator:: Print made by Thomas Tagg, died 1809
Date:: 1796
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

175. Compliance

Creator:: Print made by unknown artist
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

176. Fallstaff Playing the Prince, The Prince Playing the King

Creator:: Print made by Thomas Macklin, active 1779–1793
Date:: 1796
Materials & Techniques:: Engraving and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 11/16 × 19 3/8 inches (42.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

177. Portrait of A Woman

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Cannon Foundry

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Man Sitting Crosslegged, Profile

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Sheet of Anatomical Studies of the Shoulder Muscles

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Portrait Of An Aged Man, Looking Upward

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Portrait Of Annibale Caracci

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving and softground etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. A Monk's Head

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1796
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. The Departure from Brighton

Creator:: John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/8 × 30 9/16 inches (61.3 × 77.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Maiden Speeches in the New Parliament of 1796 (Plate II)

Creator:: John Nixon, ca. 1760–1818
Date:: 1796
Materials & Techniques:: Etching & aquatint
Dimensions:: Sheet: 16 3/4 x 13 1/4in. (42.5 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Making Composition Bread, for John Bull

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 12 3/8in. (21.3 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. A Portrait

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Dog Days, or Paying off Billy Budget

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/8in. (21 x 31.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

Creator:: Print made by William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. A Present for Past Favours

Creator:: William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. William Hoare

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1796
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Henry Fuseli Esqr., R. A.

Creator:: Thomas Holloway, 1748–1827
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. The Palanquin presented by the Marquis Cornwallis to Prince Abdul Calic, Eldest son of Tippoo Sultan

Creator:: Print made by Thomas Prattent, active 1780–1810
Date:: 1796
Materials & Techniques:: Etching and line engraving
Dimensions:: Plate: 4 5/8 × 7 9/16 inches (11.7 × 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Captain Thomas Coram

Creator:: William Nutter, 1754–1802
Date:: 1796
Materials & Techniques:: Engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 25 1/8 × 19 3/16 inches (63.8 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mary E. Knapp

196. A New Love Song only Ha' Penny a Piece

Creator:: Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Hot Spice Gingerbread, Smoking Hot

Creator:: Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 13 1/2 inches (43.8 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. View of Annecy, in Savoy

Creator:: Published by John Sewell, active 1735–1802
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

199. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Creator:: Print made by William Bromley, 1769–1842
Date:: 1796
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

200. The Imposture of the Holy Maid of Kent

Creator:: Print made by Isaac Taylor, 1759–1829
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Date 1796

Classification Prints

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101. An Airing in Hyde Park

102. View of the Monument

103. The Patent Shot Manufactory with a View of Blackfriars Br. and St. Paul

104. 'Sweetwilliam'

105. 'Sweetwilliam'

106. The First of September - Morning

107. The First of September - Evening

108. "-the Stag repells each bold assault."

109. North Side of the Great Court, Somerset Place

110. Adam Street, Adelphi

111. Part of Somerset Place

112. Temple Bar

113. Remains of Eltham Palace

114. The Distress'd Situation of the Dutton East Indiaman

115. Ancient Church of the Knights Templars

116. South Front of St. Mary's Church, Strand

117. Sewell's Folly, Battersea Rise

118. Lord Robert Hobart, 4th Earl of Buckinghamshire

119. Black-Friars Bridge

120. View of Blackfriars Bridge

121. Distant View of the Fall of Lowdore, with part of Keswick Lake in Cumberland

122. View of the Grange at the Entrance of Borrowdale in Cumberland

123. Putney Bridge

124. Somerset Terrace

125. Great Court, Somerset Place

126. The Adelphi

127. Vestibule, Somerset Place

128. View of the Pest Houses at Tothill Fields

129. Hall of Eltham Palace

130. St. Mary's Church and Somerset House in the Strand

131. Emilia, Duchess of Leinster

132. Lady Charlotte Greville

133. General Washington

134. The Encampment at Brighton

135. Portrait, James Heath

136. The Alto Relievo

137. Sir Thomas Pasley

138. Fortune

139. The Cherry Girl

140. Untitled

141. Sir Joshua Reynolds

142. Hot Spice Gingerbread, Smoking Hot!

143. King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff

144. Paul Sandby

145. Paul Sandby, Esq.

146. John Taylor

147. Hunting, Shooting, etc. [set of six]: 2. Grouse Shooting

148. Fashionable Jockeyship

149. The Grand - Signior retiring

150. Ladies Dress, as it soon will be

151. Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess

152. The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent

153. National Conveniences

154. The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting

155. Marriage of Henry the seventh

156. Hunting, Shooting, etc. [set of six]: 3. Snipe Shooting

157. Hunting, Shooting, etc. [set of six]: 5. Pheasant Shooting

158. Hunting, Shooting, etc. [set of six]: 4.Woodcock shooting

159. Hunting, Shooting, etc. [set of six]: 6. Partridge Shooting

160. Animals [a pair]: 2. Evening or the Post Boy's Return

161. Portrait of Sir William Killigrew

162. Dr. Johnson's Monument in St. Paul's Church

163. The Generae of Patriotism

164. A New Love Song, Only ha'Penny a Piece

165. Hot Spice Gingerbread, Smoking Hot!

166. No.1 and No. 2 in the 8 stages of growth of the Surinam Frog

167. No. 3 and 4 in the 8 stages of growth of the Surinam Frog

168. No. 7 and No. 8 in the 8 stages of growth of the Surinam Frog

169. Peterborough

170. Peterborough

171. Chester

172. Bristol

173. Northampton

174. General Washington