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Period 18th century

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1. John and Elizabeth Jeffreys and Their Children

John and Elizabeth Jeffreys and Their Children
Creator:
William Hogarth, 1697–1764
Date:
1730
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Old Water Mill

The Old Water Mill
Creator:
George Morland, 1763–1804
Date:
1790
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/2 x 49 1/8 inches (100.3 x 124.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Wandering Sailor

The Wandering Sailor
Creator:
Henry Singleton, 1766–1839
Date:
ca. 1798
Materials & Techniques:
Oil on paper laid on canvas
Dimensions:
14 x 12 inches (35.6 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"

David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
ca. 1762
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Birth of the Heir

Birth of the Heir
Creator:
William Redmore Bigg, 1755–1828
Date:
ca. 1799
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Sir Robert and Lady Smyth with Their Son, Hervey

Sir Robert and Lady Smyth with Their Son, Hervey
Creator:
Attributed to Andrea Soldi, 1703–1771
Date:
between 1738 and 1739
Materials & Techniques:
Oil on canvas
Dimensions:
61 1/4 × 49 1/4 inches (155.6 × 125.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Family Group

Family Group
Creator:
James Millar, ca.1735–1805
Date:
between 1774 and 1780
Materials & Techniques:
Oil on canvas
Dimensions:
50 × 40 1/2 inches (127 × 102.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cornelia, Mother of the Gracchi

Cornelia, Mother of the Gracchi
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 x 9 1/4 inches (21.3 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Virtuous Love

Virtuous Love
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 × 8 3/4 inches (19.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Sacrifice

The Sacrifice
Creator:
John Goldar, 1729–1795
Date:
1767
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 14 3/4 inches (33 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Refusal

The Refusal
Creator:
John Goldar, 1729–1795
Date:
1768
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 14 9/16 inches (33.3 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Mrs. Beale and her Son Charles

Mrs. Beale and her Son Charles
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 1/8 x 8 11/16 inches (28.2 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Mrs. Beale and her Son Charles

Mrs. Beale and her Son Charles
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching and line engraing on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 inches (30 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Man Holding a Claude Glass

Man Holding a Claude Glass
Creator:
copy after Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Clapham

No cover image available
Creator:
Print made by William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection