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Period 19th century

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Genre cityscape

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Creator Miller, William, 1796–1882

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1. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/4 × 10 3/4 inches (41.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Venice - the Campanile

Venice - the Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 3/8 × 10 7/8 inches (41.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1859
Materials & Techniques:
Steel engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

5. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, engraver's proof on Thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 3/8 inches (42.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Brussels - Distant View

Brussels - Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Venice - The Campanile

Venice - The Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 5/8 inches (33.7 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hotel de Ville, Paris

Hotel de Ville, Paris
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 3/8 × 9 1/4 inches (34 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 7 1/8 × 10 3/4 inches (18.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Edinburgh from Blackford Hill

Edinburgh from Blackford Hill
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 3/8 inches (42.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Brussels, Distant View

Brussels, Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Hotel de Ville, Paris

Hotel de Ville, Paris
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Venice - The Campanile

Venice - The Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 7/8 × 11 1/4 inches (42.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; early engraver's proof on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 22 3/8 × 28 inches (56.8 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; early engraver's proof, touched on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving with graphite; engraver's proof (c), touched on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Grand Canal, Venice

The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching; engraver's proof, open etched state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Rouen, Looking Down the River

Rouen, Looking Down the River
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

33. Rouen, looking down the river

Rouen, looking down the river
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 6 1/8 × 8 3/8 inches (15.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Venice, the Campanile

Venice, the Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 5/8 inches (41 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Great Yarmouth

Great Yarmouth
Creator:
Print made by William Miller, 1796–1882
Date:
1829
Materials & Techniques:
Line engraving, 2nd state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Great Yarmouth, Norfolk

Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1829
Materials & Techniques:
Line-engraving and etching, 3rd state on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 9/16 inches (27.1 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Stamford, Lincolnshire

Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1830
Materials & Techniques:
Line engraving, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 9/16 × 14 9/16 inches (26.8 × 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Chatham, Kent

Chatham, Kent
Creator:
Print made by William Miller, 1796–1882
Date:
1832
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Hotel de Ville, Paris (Vignette)

Hotel de Ville, Paris (Vignette)
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 1/2 inches (41 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Mayence (Vignette)

Mayence (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 16 1/8 × 10 7/8 inches (41 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 3/4 × 16 5/8 inches (27.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Edinburgh from St. Anthony's Chapel

Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Rouen, looking down the River

Rouen, looking down the River
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving, (First Published State) on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 16 1/8 × 9 inches (41 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Rouen, looking down the river

Rouen, looking down the river
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Edinburgh from Blackford Hill

Edinburgh from Blackford Hill
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Venice - The Campanile

Venice - The Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 25 × 8 3/4 inches (63.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834-1836
Materials & Techniques:
Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 3/8 × 8 1/2 inches (34 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Paris from Pere-la-Chaise

Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, ngraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/16 × 5 1/8 inches (21.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Brussels - Distant View

Brussels - Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection