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Exhibition History The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
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201
- The Entrance Front of Hayley's House at Eartham
- 1801
202
- Sealing the Stone and Setting a Watch
- 1800 to 1803
203
- Thomas Alphonso Hayley, Half-Length Drawing
- ca. 1800
204
- A Woody Landscape
- ca. 1801
205
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
206
- An Angel with a Trumpet
- between 1805 and 1808
207
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
208
- Copy of the Laocoön, for Rees's Cyclopædia
- 1815
209
- A Visionary Head
- 1819 to 1820
210
- Five Visionary Heads of Women
- 1819 to 1820
211
- The Parable of the Wise and Foolish Virgins
- ca. 1825
212
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
213
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
214
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
215
- Socrates, a Visionary Head
- ca. 1820
216
- Satan Approaching the Court of Chaos
- 1784 to 1785
217
- Landscape with Spire
- ca. 1801
218
- Joseph and Potiphar's Wife
- 1803 to 1805
219
- Mary Magdalen at the Sepulchre
- ca. 1805
220
- Study for a Destroying Deity
- 1820 to 1825
221
- Pity
- ca. 1795
222
- The Complaint and The Consolation: or Night Thoughts
- ca. 1797
223
- The Complaint and the Consolation; or Night Thoughts
- 1797
224
- For Children. The Gates of Paradise, London, by William Blake
- 1793
225
- "Visions of the Daughters of Albion", London, by William Blake
- 1793
226
- "There is No Natural Religion", London, by William Blake
- ca. 1788
227
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
228
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
229
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
230
- Publius Virgilius Maro
- 1821
231
- Beggar's Opera, Act III
- c.1790
232
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
233
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
234
- An Essay on Sculpture on a Series of Epistles to John Flaxman
- 1800
235
- God Creating the Universe
- ca. 1800
236
- Portrait of Catherine Blake
- ca. 1830
237
- Reproduction of "William Blake in Youth and Age"
- ca. 1830
238
- Reproduction of "William Blake in Youth and Age"
- ca. 1830
239
- William Blake in Youth and Age
- ca. 1830
240
- Portrait of William Blake
- ca. 1804
241
- Title Page: Illustrations of the Book of Job
- after 1825
242
- Illustrations of the Book of Job
- undated
243
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
- 1780
244
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
- 1780
245
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
- 1780
246
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
- 1780
247
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
- 1780
248
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
- 1780
249
- An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
- 1780