London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
4
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
5
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
6
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
7
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
8
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
9
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
10
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
11
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
12
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
13
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
14
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
15
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
16
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
17
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
18
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
19
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
20
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
21
Print made by M. H. Long
St. Herbert's Chapel
1884
22
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
23
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
24
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
25
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
26
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
27
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
28
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
29
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
30
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
31
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
32
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
33
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
34
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
35
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
36
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
37
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
38
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
39
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
40
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
41
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3