Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
15
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
16
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
17
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
18
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
19
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
20
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
21
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
22
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
23
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
24
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
25
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
26
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
27
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks