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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
301
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
302
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
303
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
304
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
305
- Tiger Body, Lateral View
- 1795 to 1806
306
- Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
- 1795 to 1806
307
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
308
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
309
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
310
- Leopard Body, Lateral View
- 1795 to 1806
311
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
312
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
313
- Tiger Body, Standing in Human Posture
- 1795 to 1806
314
- Fowl Skeleton, Lateral View
- 1795 to 1806
315
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
316
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
317
- Fowl Head and Neck, Lateral View
- 1795 to 1806
318
- Fowl Body, Lateral View (Outline drawing, related to Table XV)
- 1795 to 1806
319
- Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
- 1795 to 1806
320
- Owl Standing, Anterior View
- 1795 to 1806
321
- Grotesque Male Head
- undated
322
- Grotesque Female Head
- undated
323
- Grotesque Male Head
- undated
324
- Grotesque Male Head
- undated
325
- Grotesque Male Head
- undated
326
- Grotesque Male Head
- undated
327
- Grotesque Male Head
- undated
328
- Grotesque Male Head
- undated
329
- Grotesque Female Head
- undated
330
- Grotesque Male Head
- undated
331
- Grotesque Female Head
- undated
332
- Grotesque Male Head
- undated
333
- Grotesque Female Head
- undated
334
- The First Stage of Cruelty
- ca. 1750
335
- Grotesque Male Head
- undated
336
- Grotesque Female Head
- undated
337
- Fair Scene
- 1733
338
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
339
- A Midnight Modern Conversation
- 1733
340
- A Rake's Progress, Plate I: He Takes Possession
- 1735
341
- A Rake's Progress, Plate II: His Levee
- 1735
342
- A Rake's Progress, Plate IV: Goes to Court
- 1735
343
- A Rake's Progress, Plate III: He Revels
- 1735
344
- A Rake's Progress, Plate V: He Marries
- 1735
345
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
346
- Southwark Fair
- 1733
347
- The Sleeping Congregation
- 1736
348
- The Enraged Musician
- 1741
349
- Scholars at a Lecture (A Chorus of Singers)
- 1736
350
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
351
- The Cockpit
- 1759
352
- Strolling Actresses Dressing in a Barn
- 1738
353
- Simon Lord Lovat
- 1746
354
- The Laughing Audience
- 1733
355
- Hogarth Painting the Comic Muse
- 1764
356
- William Hogarth
- 1764
357
- Prospectus print "Crown & Mitre"
- 1754
358
- The Four Times of Day, Plate II: Noon
- 1738
359
- The Four Times of Day, Plate IV: Night
- 1738
360
- The Four Times of Day, Plate I: Morning
- 1738
361
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
362
- The Stage Coach; Or Country Inn Yard
- 1747
363
- A Rake's Progress, Plate VI: He Gambles
- 1735
364
- A Consultation of Physicians
- 1736
365
- Colombus breaking the Egg
- 1753
366
- The Distrest(ed) Poet
- 1740
367
- Gulielmus Hogarth
- 1749
368
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
369
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
370
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
371
- The Invasion, Plate I: France
- 1756
372
- Analysis of Beauty, Plate II: A Country Dance
- 1753
373
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
374
- The Polling, Plate III
- 1758
375
- An Election Entertainment, Plate I
- 1755-58
376
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
377
- Chairing the Members, Plate IV
- 1758
378
- The Invasion, Plate II: England
- 1756
379
- The Bench
- 1758
380
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
381
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
382
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
383
- Hymen
- ca. 1748
384
- Study of a Female Nude
- undated
385
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
386
- Gabriel Hunt
- undated
387
- Benjamin Read
- ca. 1757
388
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
389
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
390
- Study for the Foundlings
- ca. 1739
391
- Christ Church Gate, Canterbury
- 1793 to 1794
392
- Windsor Castle and Park with Deer
- undated
393
- A View of Boppart, with Figures on the River Bank
- 1817
394
- Coast Scene with White Cliffs and Boats on Shore
- undated
395
- The Woman and Tambourine
- 1807
396
- Bridge and Cows
- 1807
397
- Frontispiece
- 1812
398
- Flint Castle, Vessels Unloading
- 1807
399
- Jason
- 1807
400
- Bridge and Cows
- 1807