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Period 19th century

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Creator Rowlandson, Thomas, 1756–1827

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1. Angry Scene in a Street

Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Pier at Amsterdam

A Pier at Amsterdam
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Watercolor, pen and gray ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Harvesters Resting in a Corn Field

Harvesters Resting in a Corn Field
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Sketched at the Cockpit, Nottingham

Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Pen and brown ink with gray wash on laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone

5. The Actresses Dressing Room at Drury Lane

The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1800 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Soldiers on a March: "To pack up her tatters and follow the Drum"

Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Hand-colored etching
Dimensions:
Sheet: 8 3/4 x 9 1/4in. (22.2 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dr. Syntax Made Free of the Cellar

Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hospital, Middlesex

Hospital, Middlesex
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

9. Excise Office, Broad Street

Excise Office, Broad Street
Creator:
Thomas Sutherland, ca. 1785–1838
Date:
1810
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

10. West India Docks

West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

11. How to Vault in the Saddle

How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 x 10 3/4 inches (33 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bartholomew Fair

Bartholomew Fair
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Hall, Carlton House

The Hall, Carlton House
Creator:
Augustus Charles Pugin, 1762–1832
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/16 × 12 1/8 inches (25.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Billingsgate Market

Billingsgate Market
Creator:
after Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 1/8 inches (23.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Lottery Drawing, Coopers Hall

Lottery Drawing, Coopers Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. House of Lords

House of Lords
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.
Creator:
Print made by Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

19. Witches in a Hayloft

Witches in a Hayloft
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813?
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

20. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque
Creator:
Thomas Rowlandson, 1756–1827
Date:
1813
Materials & Techniques:
Aquatint, colored
Dimensions:
Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leatrice and Mervyn Schacht

21. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Miseries Personal

Miseries Personal
Creator:
Thomas Rowlandson, 1756–1827
Date:
1807
Materials & Techniques:
Etching, colored
Dimensions:
Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

23. Newgate Chapel

Newgate Chapel
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Magdalen Chapel

Magdalen Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 7/8 x 10 5/8in. (22.5 x 27cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. St. Margarets, Westminster

St. Margarets, Westminster
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 11 1/4 x 8 5/8in. (28.6 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. St. Paul's Cathedral

St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Post Office

The Post Office
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Greenwich Hospital, the Painted Hall

Greenwich Hospital, the Painted Hall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Common Council Chamber, Guildhall

Common Council Chamber, Guildhall
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Roman Catholic Chapel, Lincoln's Inn Fields

The Roman Catholic Chapel, Lincoln's Inn Fields
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Corn Exchange

Corn Exchange
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Departure

The Departure
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs

Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Sacred page Displayed

The Sacred page Displayed
Creator:
Print made by unknown artist
Date:
1821
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827
Date:
1804
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. [ Caricature of two men and a woman, one of the men blowing smoke ]

[ Caricature of two men and a woman, one of the men blowing smoke ]
Creator:
Print made by unknown artist
Date:
ca. 1823
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket

Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks

Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton

Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Parson and the Clarke, No. 76

The Parson and the Clarke, No. 76
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit

The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Mr. Michell's Picture Gallery, Grove House, Enfield 1817
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Dr. Syntax Visits a Boarding School for Young Ladies

Dr. Syntax Visits a Boarding School for Young Ladies
Creator:
unknown artist
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Lloyd's Subscription Room

Lloyd's Subscription Room
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

45. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

46. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

47. Synagogue, Duke's Place, Houndsditch

Synagogue, Duke's Place, Houndsditch
Creator:
Thomas Sunderland, 1744–1828
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

48. Court of Chancery, Lincoln's Inn Hall

Court of Chancery, Lincoln's Inn Hall
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 7 3/4 x 10 1/4in. (19.7 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

49. Saint Stephen's, Walbrook

Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

50. Freemasons Hall, Great Queen Street

Freemasons Hall, Great Queen Street
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

51. Stamp Office, Somerset House

Stamp Office, Somerset House
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Colored aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

52. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

53. Freemasons Hill, Great Queen Street

Freemasons Hill, Great Queen Street
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. St. Luke's Hospital

St. Luke's Hospital
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Heralds College, the Hall

Heralds College, the Hall
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Quakers Meeting

Quakers Meeting
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Vauxhall Garden

Vauxhall Garden
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Society for the Encouragement of Arts, and &c. Adelphi

Society for the Encouragement of Arts, and &c. Adelphi
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Newgate Chapel

Newgate Chapel
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Fleet Prison

Fleet Prison
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Hall and Stair Case, British Museum

The Hall and Stair Case, British Museum
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 5/8 × 10 inches (32.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Great Subscription Room at Brooks's

Great Subscription Room at Brooks's
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. St. Luke's Hospital

St. Luke's Hospital
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Debating Society, Piccadilly

Debating Society, Piccadilly
Creator:
Thomas Rowlandson, 1756–1827
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. A Bird Eye View of Smithfield Market

A Bird Eye View of Smithfield Market
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Drawing Room, St. James's

Drawing Room, St. James's
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint hand colored
Dimensions:
Image: 7 7/8 x 10 1/4in. (20 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Fire in London

Fire in London
Creator:
John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Hall, Blue Coat School

The Hall, Blue Coat School
Creator:
J. Hill, active 19th century
Date:
1808
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/8 x 10 7/8in. (23.2 x 27.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Gardener's Offering

The Gardener's Offering
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1803 and 1805
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Evading the Toll

Evading the Toll
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. West India Docks

West India Docks
Creator:
John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. The Hall of the Auction Mart

The Hall of the Auction Mart
Creator:
Thomas Rowlandson, 1756–1827
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. A Bird's Eye View of Covent Garden Market

A Bird's Eye View of Covent Garden Market
Creator:
John Bluck, active 1791–1831
Date:
1811
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 16 7/8 x 21in. (42.9 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Military College, Chelsea

Military College, Chelsea
Creator:
Augustus Charles Pugin, 1762–1832
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 1/4 × 10 7/8 inches (23.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Chelsea Hospital

Chelsea Hospital
Creator:
John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 x 10 9/16in. (22.9 x 26.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Workhouse, St. James's Parish

Workhouse, St. James's Parish
Creator:
Thomas Sunderland, 1744–1828
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Philanthropic Society, The Chapel

Philanthropic Society, The Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Somerset House, Strand

Somerset House, Strand
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Society for the Encouragement of Arts

Society for the Encouragement of Arts
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Surrey Institution

Surrey Institution
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Westminster Hall

Westminster Hall
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. New Covent Garden Theatre

New Covent Garden Theatre
Creator:
John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Philanthropic Society, The Chapel

Philanthropic Society, The Chapel
Creator:
John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Aquatint, hand-colored including borders
Dimensions:
Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Fox-hunting [a pair]: 1. Four O'Clock in the Country

Fox-hunting [a pair]: 1. Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
1788
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']
Creator:
Thomas Rowlandson, 1756–1827
Date:
1809
Materials & Techniques:
Etching
Dimensions:
Sheet: 3 1/8 x 5 1/2in. (7.9 x 14cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Coaching: Paris Diligence

Coaching: Paris Diligence
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1810
Materials & Techniques:
Hand colored etching
Dimensions:
Sheet: 9 3/8 x 14in. (23.8 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Leaden Hall Market

Leaden Hall Market
Creator:
Joseph Constantine Stadler, active 1780–1812
Date:
1809
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Preparatory sketch for 'Dr Syntax Sketching the Lake'

Preparatory sketch for 'Dr Syntax Sketching the Lake'
Creator:
Thomas Rowlandson, 1756–1827
Date:
1812
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Dance

The Dance
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Fortune-Telling

Fortune-Telling
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. The Family Picture

The Family Picture
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection