Materials & Techniques: aquatint / On-site Access: Accessible by appointment in the Study Room / Subject Terms: literary theme

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Materials & Techniques aquatint

On-site Access Accessible by appointment in the Study Room

Subject Terms literary theme

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Print made by imitator of George Baxter, 1804–1867

Little Red Riding Hood

after 1856

Thomas Rowlandson, 1756–1827

Dr. Syntax and his Counterpart

1820

James Gillray, 1756–1815

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Print made by Richard Hamilton, 1922–2011

Leopold Bloom

1983

Print made by Richard Hamilton, 1922–2011

In Horne's House

1982

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Print made by Richard Hamilton, 1922–2011

The Transmogrifications of Bloom

1984 to 1985

Print made by Richard Hamilton, 1922–2011

How a Great Daily Organ is Turned Out

1990