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Remove constraint Materials & Techniques: watercolorExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
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1
- Title Page. America, A Prophecy (Plate 2)
- 1793
2
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
3
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
4
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
5
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
6
- "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
- 1804 to 1820
7
- "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
- 1804 to 1820
8
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
9
- "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
- 1804 to 1820
10
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
11
- "To the Jews..." (Plate 27)
- 1804 to 1820
12
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
13
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
14
- The Little Black Boy (Plate 6)
- 1789
15
- Night (Plate 30)
- 1789
16
- The Lamb (Plate 18)
- 1789
17
- The Little Girl Lost (Plate 20)
- 1789
18
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
19
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
20
- The Shepherd (Plate 4)
- 1789
21
- Laughing Song (Plate 14)
- 1789
22
- The Ecchoing Green (Plate 8)
- 1789
23
- Introduction (Plate 34)
- 1794
24
- Visions, Frontispiece (Plate 1)
- 1793
25
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
26
- The Divine Image (Plate 24)
- 1789
27
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
28
- Frontispiece. Albion's Angel (Plate 1)
- 1793
29
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
30
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
31
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
32
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
33
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
34
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
35
- "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
- between 1797 and 1798
36
- "Up stairs in a whirlwind rattle..." (Design 29)
- between 1797 and 1798
37
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
38
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
39
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
40
- "Then the Divine hand found the Two Limits..." (Plate 35)
- 1804 to 1820
41
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
42
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
43
- "At the chapel-door stand sentry... (Design 31)
- between 1797 and 1798
44
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
45
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
46
- Mary Magdalen at the Sepulchre
- ca. 1805
47
- The Parable of the Wise and Foolish Virgins
- ca. 1825
48
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
49
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
50
- The Deposition
- undated