Mountainous Landscape with Church Steeples (recto)
402
William Brockedon, 1787–1854
Sketch of a Lake with Hills in the Distance
403
William Brockedon, 1787–1854
Landscape with Church Steeples (recto)
404
William Brockedon, 1787–1854
Mountainous Hillside with Two Houses (recto)
405
William Brockedon, 1787–1854
Lakefront Village with Mountains in the Distance (recto)
406
William Brockedon, 1787–1854
Small Village by a Lake
407
William Brockedon, 1787–1854
Landscape with a House and a Lake (recto)
408
William Brockedon, 1787–1854
Sketch of a Shurch Steeple with Mountains in the Distance
409
William Brockedon, 1787–1854
Sketch of Mountains and Lake
410
William Brockedon, 1787–1854
Sketch of Grazing Animals with a Man
411
William Brockedon, 1787–1854
Small Cottage Over looking a Lake with Mountains
412
William Brockedon, 1787–1854
Sketch of Mountains and Lake with Goat in the Foreground
413
William Brockedon, 1787–1854
Grazing animals with mountains in the distance
414
William Brockedon, 1787–1854
Mountainous Landscape with Shepherd and Grazing Animals
415
William Brockedon, 1787–1854
Houses by a Lake with Mountains in the Distance
416
William Brockedon, 1787–1854
Farmyard scene
417
William Brockedon, 1787–1854
Mountainous Landscape with Farmer and his Cart
418
William Brockedon, 1787–1854
Slight Sketch of a Landscape
419
Thomas Beilby, 1747–1826
New Bridge at Durham
1775
420
Thomas Beilby, 1747–1826
West View of Sheffield Manor
1776
421
Thomas Beilby, 1747–1826
View near Sheffield
1775
422
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
423
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
424
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
425
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
426
Augustus Hare, 1834–1903
[One of] Album of 84 original drawings
1853-1860
427
Attributed to Rev. William Gilpin, 1724–1804
A Withered Top
Undated
428
Henry Shaw, 1800–1873
Greek Armour
undated
429
unknown artist
Plan and Apse of Roman Church
undated
430
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
431
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
432
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
433
Henry Phillip Hope, active 1799–1818
Paysage
undated
434
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
435
Henry Phillip Hope, active 1799–1818
Mariage Grec
undated
436
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
437
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
438
Henry Phillip Hope, active 1799–1818
Mariage Grec
undated
439
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
440
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
441
Henry Phillip Hope, active 1799–1818
Fille Greque
undated
442
Thomas Hope, 1769–1831
Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
1818
443
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
444
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
445
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
446
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
447
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
448
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
449
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
450
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
451
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
452
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
453
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
454
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
455
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
456
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
457
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
458
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
459
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
460
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
461
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
462
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
463
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
464
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
465
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Piqale Appartenant a Madame la Comtesse Rapp - Cote de la Cour
466
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
467
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
468
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
469
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
470
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
471
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
472
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
473
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
474
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
475
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
476
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
477
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
478
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
479
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
480
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
481
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
482
Giles Hussey, 1710–1788
Two Studies of classical sculpture of Farnese Hercules
between 1730 and 1768
483
Giles Hussey, 1710–1788
Three studies of classical sculpture of Farnese Hercules
between 1730 and 1768
484
Giles Hussey, 1710–1788
Study of classical scultpure of Castor and Pollux
between 1730 and 1768
485
Giles Hussey, 1710–1788
Study of statue of an Egyptian man
between 1730 and 1768
486
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
487
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
488
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
489
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
490
Giles Hussey, 1710–1788
Four chalk studies of heads
between 1730 and 1768
491
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
492
Giles Hussey, 1710–1788
Study of head from classical figure
between 1730 and 1768
493
John Leech, 1817–1864
From Album One of Original Pencillings
494
John Leech, 1817–1864
Two Volumes of Original Pencillings
495
Thomas Miles Richardson Sr., 1784–1848
St. Nicholas Church, Newcastle Upon Tyne
ca. 1825
496
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
undated
497
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara