<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques brown ink

Remove constraint Materials & Techniques: brown ink

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Genre genre subject

Remove constraint Genre: genre subject

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
George Romney Figure Composition Study 25
George Romney, 1734–1802
Figure Composition Study 25
undated
George Romney Figure Study 10
George Romney, 1734–1802
Figure Study 10
undated
George Romney Figure Study 8
George Romney, 1734–1802
Figure Study 8
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
unknown artist Tom Thumb at Bay
unknown artist
Tom Thumb at Bay
undated
unknown artist A Coat of Arms for a Stamp on Income
unknown artist
A Coat of Arms for a Stamp on Income
undated
Sir Joshua Reynolds Woman and Infant
Sir Joshua Reynolds, 1723–1792
Woman and Infant
undated
Sir Joshua Reynolds Woman and Child
Sir Joshua Reynolds, 1723–1792
Woman and Child
undated
Joseph Noel Paton The Pursuit of Pleasure
Joseph Noel Paton, 1821–1901
The Pursuit of Pleasure
1848
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
Sir John Everett Millais The Blind Man
Sir John Everett Millais, 1829–1896
The Blind Man
1853
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
Sir John Everett Millais The Dying Man
Sir John Everett Millais, 1829–1896
The Dying Man
ca. 1853
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Sir John Everett Millais Awful Protection Against Midges
Sir John Everett Millais, 1829–1896
Awful Protection Against Midges
1853
David Cox Landscape with a Man Washing His Feet at a Fountain, after Poussin
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
Alphonse Legros Group de Fermiers
Alphonse Legros, 1837–1911
Group de Fermiers
undated
James Smetham Cutting Reviews
James Smetham, 1821–1889
Cutting Reviews
undated
James Smetham The Country Artist
James Smetham, 1821–1889
The Country Artist
undated
Jean B. C. Chatelain View with a Cart and Figures in a Wooded Landscape
Jean B. C. Chatelain, 1710–1771
View with a Cart and Figures in a Wooded Landscape
undated
David Cox Windermere During the Regatta
David Cox, 1783–1859
Windermere During the Regatta
1832
Valentine Green Scene in a Country Town at Time of a Race
Print made by Valentine Green, 1739–1813
Scene in a Country Town at Time of a Race
1789