Search Constraints
You searched for:
Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
301
- Tiger Skeleton, Lateral View
- 1795 to 1806
302
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
303
- Human Skeleton, Lateral View (Study for a key figure to an unpublished table showing the abdominal viscera)
- 1795 to 1806
304
- Tiger Body, Lateral View
- 1795 to 1806
305
- Tiger Body, Lateral View
- 1795 to 1806
306
- Tiger Body, Lateral View
- 1795 to 1806
307
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
308
- Tiger Body, Lateral View
- 1795 to 1806
309
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
310
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
311
- Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
- 1795 to 1806
312
- Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
- 1795 to 1806
313
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
314
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
315
- Leopard Body, Lateral View
- 1795 to 1806
316
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
317
- Leopard Body, Lateral View
- 1795 to 1806
318
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
319
- Tiger Body, Recumbent, Viewed Ventrally
- 1795 to 1806
320
- Fowl Body, Lateral View (Study for key figure to Table X)
- 1795 to 1806
321
- Grotesque Female Head
- undated
322
- The First Stage of Cruelty
- ca. 1750
323
- Grotesque Male Head
- undated
324
- Grotesque Female Head
- undated
325
- Grotesque Male Head
- undated
326
- Grotesque Male Head
- undated
327
- Grotesque Male Head
- undated
328
- Grotesque Male Head
- undated
329
- Grotesque Male Head
- undated
330
- Grotesque Male Head
- undated
331
- Grotesque Female Head
- undated
332
- Grotesque Male Head
- undated
333
- Grotesque Female Head
- undated
334
- Grotesque Female Head
- undated
335
- Grotesque Male Head
- undated
336
- Grotesque Male Head
- undated
337
- A Rake's Progress, Plate V: He Marries
- 1735
338
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
339
- Scholars at a Lecture (A Chorus of Singers)
- 1736
340
- Strolling Actresses Dressing in a Barn
- 1738
341
- The Stage Coach; Or Country Inn Yard
- 1747
342
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
343
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
344
- Gulielmus Hogarth
- 1749
345
- Hogarth Painting the Comic Muse
- 1764
346
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
347
- A Consultation of Physicians
- 1736
348
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
349
- The Sleeping Congregation
- 1736
350
- A Rake's Progress, Plate IV: Goes to Court
- 1735
351
- The Enraged Musician
- 1741
352
- The Distrest(ed) Poet
- 1740
353
- Simon Lord Lovat
- 1746
354
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
355
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
356
- Analysis of Beauty, Plate II: A Country Dance
- 1753
357
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
358
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
359
- An Election Entertainment, Plate I
- 1755-58
360
- The Invasion, Plate I: France
- 1756
361
- Chairing the Members, Plate IV
- 1758
362
- The Invasion, Plate II: England
- 1756
363
- The Polling, Plate III
- 1758
364
- The Cockpit
- 1759
365
- The Bench
- 1758
366
- The Laughing Audience
- 1733
367
- A Midnight Modern Conversation
- 1733
368
- Southwark Fair
- 1733
369
- A Rake's Progress, Plate II: His Levee
- 1735
370
- A Rake's Progress, Plate I: He Takes Possession
- 1735
371
- A Rake's Progress, Plate VI: He Gambles
- 1735
372
- A Rake's Progress, Plate III: He Revels
- 1735
373
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
374
- Colombus breaking the Egg
- 1753
375
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
376
- The Four Times of Day, Plate IV: Night
- 1738
377
- Fair Scene
- 1733
378
- William Hogarth
- 1764
379
- The Four Times of Day, Plate I: Morning
- 1738
380
- The Four Times of Day, Plate II: Noon
- 1738
381
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
382
- Prospectus print "Crown & Mitre"
- 1754
383
- Gabriel Hunt
- undated
384
- Benjamin Read
- ca. 1757
385
- Hymen
- ca. 1748
386
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
387
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
388
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
389
- Study for the Foundlings
- ca. 1739
390
- Study of a Female Nude
- undated
391
- Fishing Boats Becalmed off le Havre
- undated
392
- Corsica
- between 1830 and 1835
393
- View of Ely Cathedral
- ca. 1796
394
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
395
- Cricket on the Goodwin Sands
- undated
396
- Ship Aground Brighton
- 1830
397
- A View of Boppart, with Figures on the River Bank
- 1817
398
- Coast Scene with White Cliffs and Boats on Shore
- undated
399
- The Woman and Tambourine
- 1807
400
- Bridge and Cows
- 1807