Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
8
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
9
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
10
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
11
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
12
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
13
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
14
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
28
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
29
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
30
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
31
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
32
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
33
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London