Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
2
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
3
John Thomas Smith, 1766–1833
The Smock Exposed
1817
4
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
5
John Thomas Smith, 1766–1833
The Reconcilation
1817
6
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
7
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
8
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
9
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
10
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
11
Sir James Thornhill, 1675–1734
A Niche for Mr. Portman's House at Sherborne
ca. 1720
12
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
13
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
14
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
15
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
16
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
17
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
18
Rev. William Gilpin, 1724–1804
Landscape with Castle in the Distance
between 1762 and 1783
19
Rev. William Gilpin, 1724–1804
Landscape (unfinished)
between 1762 and 1783
20
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
21
Augustus Welby Northmore Pugin, 1812–1852
Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
1838
22
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
23
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
24
Walter Greaves, 1846–1930
Old Chelsea Church
undated
25
George Barret Jr., 1767–1842
The Needles from Alum Bay
undated
26
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
27
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
28
Edward John Burra, 1905–1976
Figure Studies
undated
29
Gustave Doré, 1832–1883
Study for a Block on the Road
between 1869 and 1872
30
Sir William Chambers, 1723–1796
Headfort House: East Elevation of House, East Elevation of Offices, and Attic Story Plan
1765
31
Sir William Chambers, 1723–1796
Headfort House, Ireland: Elevations of the North and South Fronts
1765
32
Alexander Cozens, 1717–1786
Mountainous Landscape
ca. 1780
33
John Collet, ca. 1725–1780
River Scene with Church, Cottage and Windmill
undated
34
Isaac Cruikshank, 1764–1811
Before the Magistrate
undated
35
Hubert-François Gravelot, 1699–1773
Port Mahon
between 1756 and 1773
36
Stephen Riou, 1720–1780
La Prigioni a Venezia
1752
37
Stephen Riou, 1720–1780
Arco nel Campo Marzo a Vicenza
1752
38
Stephen Riou, 1720–1780
Il diritto della Facciata d'una Casa per fare alla Campagna
1752
39
Stephen Riou, 1720–1780
Alzata di'una faciata d'un Palazzo di 15 finestre per fare in luogo nobile della citta