Materials & Techniques: chine collé and wove paper / Work Type: intaglio print / Subject Terms: architectural subject and church

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Materials & Techniques chine collé

Materials & Techniques wove paper

Work Type intaglio print

Subject Terms architectural subject

Subject Terms church

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Francis Finden, 1791–1857

Santa Maria della Spina

1832-1834

Print made by Edward Francis Finden, 1791–1857

Santa Maria della Spina, Pisa

1832-1834

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by Robert Wallis, 1794–1878

Saumur

1830

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by James T. Willmore, 1800–1863

Saumur

1833

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