Materials & Techniques: etching (printing process) / Genre: marine art / Work Type: intaglio print / Subject Terms: bridge

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Materials & Techniques etching (printing process)

Genre marine art

Work Type intaglio print

Subject Terms bridge

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by William Miller, 1796–1882

Fort Augustus

1836

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris

1834

Print made by William Miller, 1796–1882

Inverness

1836

Print made by William Miller, 1796–1882

Fort Augustus

1836

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by William Miller, 1796–1882

St. Cloud

1834

Print made by William Miller, 1796–1882

Inverness

1836

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by George Hollis, 1792–1842

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by William Miller, 1796–1882

Inverness

1836

Print made by William Miller, 1796–1882

Fort Augustus (Vignette)

1836

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Horsburgh, 1791–1869

Hotel de Ville, Paris (Vignette)

1834

Print made by William Miller, 1796–1882

St. Cloud

1835

Print made by William Miller, 1796–1882

Inverness

1836

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