Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
23
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
24
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
25
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
26
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
27
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
28
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
29
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
30
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
31
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
32
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
33
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
34
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
35
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
36
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
37
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
38
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
39
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
40
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
41
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
42
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
43
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
44
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc