Search Constraints
You searched for:
Materials & Techniques wove paper
Remove constraint Materials & Techniques: wove paperCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centuryExhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
1
- Ancient Trees, Lullingstone Park
- 1828
2
- A Moonlit Scene with a Winding River
- ca. 1827
3
- Vesuvius in Eruption
- between 1817 and 1820
4
- Fluelen: Morning (looking towards the lake)
- 1845
5
- Upper Fall of the Reichenbach: Rainbow
- 1810
6
- Mer de Glace, in the Valley of Chamonix
- 1803
7
- The Channel Sketchbook
- ca. 1845
8
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
9
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
10
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
11
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
12
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
13
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
14
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
15
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
16
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
17
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
18
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
19
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
20
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
21
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
22
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
23
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
24
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
25
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
26
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
27
- Jerusalem, Plate 62, "Repose on me...."
- 1804 to 1820
28
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
29
- Jerusalem, Plate 76
- 1804 to 1820
30
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
31
- Mary Magdalen at the Sepulchre
- ca. 1805
32
- The Parable of the Wise and Foolish Virgins
- ca. 1825
33
- Crater of Vesuvius
- 1816
34
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
35
- Portia and Bassanio
- ca. 1826
36
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
37
- Study of a Lioness
- ca. 1824
38
- Cavalry Charging
- 1801
39
- Seated Turk
- between 1840 and 1841
40
- A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
- 1856
41
- Tryfan, Carnarvonshire
- 1826
42
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
43
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
44
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
45
- Castle Acre Priory, Norfolk
- ca. 1804
46
- Tree Study
- between 1800 and 1805
47
- Illustrations to Dante's Divine Comedy
- 1827