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Materials & Techniques wove paper

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Date 1820

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Subject Terms men

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1. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Study for "Reading the Will"

Study for "Reading the Will"
Creator:
Sir David Wilkie, 1785–1841
Date:
1820
Materials & Techniques:
Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London
Creator:
Print made by John Franklin, c.1800–1868
Date:
ca. 1825
Materials & Techniques:
Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

6. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dr. Syntax Attends the Execution

Dr. Syntax Attends the Execution
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Frontispiece: The Progress of a Midshipman

Frontispiece: The Progress of a Midshipman
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Steeplechasing: Three Riders Taking a Brook

Steeplechasing: Three Riders Taking a Brook
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1825
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The London-Dover Royal Mail, c. 1830-1840

The London-Dover Royal Mail, c. 1830-1840
Creator:
Charles B. Newhouse, fl. c.1820–1836
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Fisherman by a Boat with a Dog

Fisherman by a Boat with a Dog
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

14. Dr Syntax Meditating on the Tombstones

Dr Syntax Meditating on the Tombstones
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. "Some Do and Some Don't: It is All a Notion:" Getting Home

"Some Do and Some Don't: It is All a Notion:" Getting Home
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1820 and 1821
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Seran Raja's Palace

Seran Raja's Palace
Creator:
Print made by Robert Havell, 1769–1832
Date:
1820
Materials & Techniques:
Aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 29 inches (54 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Renée and Geoffrey Hartman, Yale PhD 1953

17. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Creator:
Joshua Cristall, 1768–1847
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 15 1/2 inches (33 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Yarmouth Sands, Norfolk

Yarmouth Sands, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1820 to 1830
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:
Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Study for Quay at Straddon Point Near Plymouth

Study for Quay at Straddon Point Near Plymouth
Creator:
William Daniell, 1769–1837
Date:
ca. 1825
Materials & Techniques:
Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:
Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

20. Gil Blas Practicing Medicine Under Dr. Sangrado

No cover image available
Creator:
Thomas Uwins, 1782–1857
Date:
between 1820 and 1822
Materials & Techniques:
Brown wash with brown pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper, laid in contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 17 3/8 x 20 1/2 inches (44.2 x 52 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection