Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
2
George Romney, 1734–1802
The Banquet Scene
ca. 1792
3
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
4
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
5
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
6
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
7
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
8
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
9
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
10
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
11
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
12
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
13
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
14
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
15
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
30
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
31
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
32
Robert Smirke, 1752–1845
Anne Page and Slender
1821
33
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
34
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
35
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
36
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
37
Theodor von Holst, 1810–1844
Faust and Margaret
undated
38
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
39
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
40
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
41
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
42
Robert Smirke, 1752–1845
Katherina and Grumio
1821
43
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
44
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
45
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
46
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
47
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
48
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
49
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
50
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
51
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
52
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
53
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
54
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
55
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
56
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
57
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda