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Materials & Techniques wove paper

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Work Type intaglio print

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Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Choquer
Print made by George Arnald, 1763–1841
Choquer
1821
Robert Dixon The Greyfriars Tower, Lynn, as it appeared 1801
Robert Dixon, 1780–1815
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
John Crome Front of the New Mills
Print made by John Crome, 1768–1821
Front of the New Mills
1813
Edward Francis Finden Yarmouth, Norfolk
Edward Francis Finden, 1791–1857
Yarmouth, Norfolk
1837
Robert Havell Clifton Spring and Woods near Maidenhead
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
James C. Allen Penzance, Cornwall
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
Robert Sargent Austin Early Spring, Gloucestershire
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Bradshaw & Blacklock Country Scenes
Print made by Bradshaw & Blacklock, active ca.1850
Country Scenes
after 1850