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Creator Gender male

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Collection Prints and Drawings

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Period 18th century

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Work Type intaglio print

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1. The Farmer's Wife and the Raven

The Farmer's Wife and the Raven
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette and rocker work, first state
Dimensions:
Sheet: 20 1/2 x 27 3/8in. (52 x 69.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Tiger and a Sleeping Leopard

A Tiger and a Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Horse Affrighted by a Lion

A Horse Affrighted by a Lion
Creator:
Print made by George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Etching with roulette work, third state
Dimensions:
Plate: 9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Sleeping Leopard

A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Midnight Modern Conversation

A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Sleeping Congregation

The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Analysis of Beauty, Plate I: A Statuary's Yard

Analysis of Beauty, Plate I: A Statuary's Yard
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving on paper
Dimensions:
Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Hogarth Painting the Comic Muse

Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Beer Street

Beer Street
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

10. Southwark Fair

Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Rake's Progress, Plate VII: In Fleet Street Prison

A Rake's Progress, Plate VII: In Fleet Street Prison
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

13. Frontispiece and its Explanation (no.1)

Frontispiece and its Explanation (no.1)
Creator:
William Hogarth, 1697–1764
Date:
1726
Materials & Techniques:
Engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

14. Subscription Ticket for The March to Finchley

Subscription Ticket for The March to Finchley
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 9 7/16 in. (19.1 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

15. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

16. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

17. The Fourth Stage of Cruelty: The Reward of Cruelty

The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

18. The Bruiser

The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY

19. Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

20. Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and line engraving
Dimensions:
Sheet: 10 5/8 × 13 3/4 inches (27 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

21. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

22. Plate 12, The Industrious 'Prentice Lord Mayor of London

Plate 12, The Industrious 'Prentice Lord Mayor of London
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

23. Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

24. The Polling

The Polling
Creator:
after William Hogarth, 1697–1764
Date:
1766
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

25. The Chorus

The Chorus
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

26. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

27. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

28. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

29. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

30. The Invasion, Plate I, France

The Invasion, Plate I, France
Creator:
William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

31. Chairing the Members

Chairing the Members
Creator:
after William Hogarth, 1697–1764
Date:
1766
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

32. Auction of Pictures, &c.

Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

33. Auction of Pictures, &c.

Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

34. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

35. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

36. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

37. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

38. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

39. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

40. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

41. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

42. Satire on False Perspective

Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

43. The Laughing Audience

The Laughing Audience
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

44. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

45. Satire on False Perspective

Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

46. Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn

Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engravng on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

47. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

48. Sketches from Pen and Ink Drawings, Character and Caricatura

Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

49. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

50. Prints Publish'd by the Late W. Hogarth

Prints Publish'd by the Late W. Hogarth
Creator:
Print made by William Hogarth, 1697–1764
Date:
1765
Materials & Techniques:
Letterpress
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

51. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/8 × 7 5/8 inches (20.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

52. Marriage à la Mode, Plate 6

Marriage à la Mode, Plate 6
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

53. The Five Orders of Periwigs

The Five Orders of Periwigs
Creator:
Print made by William Hogarth, 1697–1764
Date:
1761
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

54. Simon Lord Lovat

Simon Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

55. Plate 1, The Fellow 'Prentices at their Looms

Plate 1, The Fellow 'Prentices at their Looms
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

56. Copyright - Act of Parliament

Copyright - Act of Parliament
Creator:
Print made by William Hogarth, 1697–1764
Date:
1767
Materials & Techniques:
Letterpress with engraving
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

57. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

58. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

59. Plate 11, The Idle 'Prentice Executed at Tyburn

Plate 11, The Idle 'Prentice Executed at Tyburn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

60. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

61. Strolling Actresses Dressing in a Barn

Strolling Actresses Dressing in a Barn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

62. Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

63. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

64. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection