Author ss: after Joseph Mallord William Turner, 1775–1851, British / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Genre: 3 selected

after Joseph Mallord William Turner, 1775–1851

Heidelberg - Sunset

1918

after Joseph Mallord William Turner, 1775–1851

Modern Italy - The Pifferari

Print made by William Finden, 1787–1852

Ramah and Rachel's Tomb

1835-1836

Print made by James Baylis Allen, 1803–1876

Jerusalem from the Mount of Olives

1835

Print made by William Finden, 1787–1852

Jerusalem, with the Walls

1835-1836

Print made by Edward Francis Finden, 1791–1857

Jerusalem, Pool of Bethesda

1835-1836

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by James T. Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by James T. Willmore, 1800–1863

Tamworth Castle, Staffordshire

1832

Print made by James T. Willmore, 1800–1863

Tamworth Castle, Staffordshire

1832

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by Thomas Jeavons, ca. 1800–1867

Arundel Castle and Town, Sussex

1834

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by William John Cooke, 1797–1865

Plymouth, Devonshire

1832

Print made by James C. Allen, active 1821–1831

Whitby

ca. 1830

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1835

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1834

Print made by John Pye, 1782–1874

Ehrenbreitstein

1845

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by John Pye, 1782–1874

Ehrenbreitstein

1828

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1836

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Plymouth

1828-1856

Print made by Thomas Goff Lupton, 1791–1873

Plymouth

1828-1856

Print made by Thomas Goff Lupton, 1791–1873

Plymouth

1828-1856

Print made by William Finden, 1787–1852

Ramah and Rachel's Tomb

1836

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1835

Print made by James Baylis Allen, 1803–1876

Jerusalem from the Mount of Olives

1836

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818

Print made by Robert Wallis, 1794–1878

Lancaster, from the Aqueduct Bridge

1827

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by Edward Goodall, 1795–1870

Florence

1827

Print made by William Radclyffe, 1780–1855

Ashby de la Zouch

1832

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by Edward Francis Finden, 1791–1857

Jerusalem, Pool of Bethesda

1836

Print made by Edward Francis Finden, 1791–1857

Bethlehem

1836

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Plymouth

1856

Print made by Edward Francis Finden, 1791–1857

Jerusalem, Pool of Bethesda

1835-1836

Print made by William Miller, 1796–1882

Paris from Pere-la-Chaise

1834

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by William Finden, 1787–1852

Ramah and Rachel's Tomb

1836

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

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Author ss after Joseph Mallord William Turner, 1775–1851, British

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Genre architectural subject

Genre cityscape

Genre landscape

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Author ss after Joseph Mallord William Turner, 1775–1851, British

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Genre architectural subject

Genre cityscape

Genre landscape

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