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1. A Sleeping Leopard

A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hay-Makers

Hay-Makers
Creator:
George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Stipple engraving, second state
Dimensions:
Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. All's Well... Act III, Sc. V

All's Well... Act III, Sc. V
Creator:
W. Taylor, active 1790–1810
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. Taming...Act III, Scene I

Taming...Act III, Scene I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

5. Set of Five: Studies of Children, a Dog, a Cat, etc.

Set of Five: Studies of Children, a Dog, a Cat, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.

Set of Five: Studies of Girls, one Playing with Hoop, one Picking Berries, Man and Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Mrs. Bunbury

Mrs. Bunbury
Creator:
Print made by John Young, 1755–1825
Date:
1791
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 1/2 inches (32.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Taming... Act II, Sc. I

Taming... Act II, Sc. I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

9. Merchant of Venice, Act III, Sc. I

Merchant of Venice, Act III, Sc. I
Creator:
J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10. Set of Five: Studies of Laborers

Set of Five: Studies of Laborers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...

The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ...
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Hand colored mezzotint
Dimensions:
Sheet: 21 1/2 x 13 7/8in. (54.6 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.

Set of Five: Eight studies: Woman with Basket, Blinkered Cart Horse, etc.
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Set of Five: Five studies of Peddlers

Set of Five: Five studies of Peddlers
Creator:
George Morland, 1763–1804
Date:
1791-1795
Materials & Techniques:
Hand colored soft-ground etching
Dimensions:
Sheet: 15 1/2 x 20 1/4in. (39.4 x 51.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mary Isabella, Duchess of Rutland

Mary Isabella, Duchess of Rutland
Creator:
Print made by John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Line engraving (only state) on thick, rough, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Madona col Bambino

Madona col Bambino
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Caroline, Duchess of Marlborough

Caroline, Duchess of Marlborough
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 14 7/8 inches (64.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

17. A Brewhouse Yard

A Brewhouse Yard
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1791
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 14 1/8 inches (51.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. Admiral Edward Vernon

Admiral Edward Vernon
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 26 1/2in. (43.2 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

21. A Memorial to Shakespeare

A Memorial to Shakespeare
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 x 4 1/4in. (17.8 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Rear Admiral Sir Charles Douglas

Rear Admiral Sir Charles Douglas
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

23. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Sacrifice To Diana The Goddess Of Hunting

A Sacrifice To Diana The Goddess Of Hunting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Curious Pump

A Curious Pump
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Gateway of the Old Palace at Richmond

Gateway of the Old Palace at Richmond
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Samuel Cooper's Monument in St. Pancras Church

Samuel Cooper's Monument in St. Pancras Church
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Memorial to Theodore King of Corsica in St. Ann, Westminster

Memorial to Theodore King of Corsica in St. Ann, Westminster
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 6 3/4in. (22.5 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Newgate

Newgate
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. In St. Mary Overie's or St. Saviour's, Southwark

In St. Mary Overie's or St. Saviour's, Southwark
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Hackney

Hackney
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Stowe's Monument in St. Andrew, Undershaft

Stowe's Monument in St. Andrew, Undershaft
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 7 13/16in. (22.5 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Contemplation

Contemplation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Creator:
Bastiaen Stopendael, 1636/7–c.1708
Date:
Published 1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A Young Lady

A Young Lady
Creator:
Samuel William Reynolds, 1773–1835
Date:
ca. 1796
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. St. Paul

St. Paul
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations

William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 11 7/16 inches (42.5 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

57. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Mary Isabella Manners (née Somerset), Duchess of Rutland

Mary Isabella Manners (née Somerset), Duchess of Rutland
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Sylvia

Sylvia
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 14 15/16 inches (48.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Madona Col Bambino

Madona Col Bambino
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 20 3/4 × 15 1/8 inches (52.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 x 18in. (55.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. The Roguish Boy

The Roguish Boy
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 14 inches (54.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. Lady Cockburn and Children

Lady Cockburn and Children
Creator:
Print made by Charles Wilkin, 1750–1814
Date:
1791
Materials & Techniques:
Engraved in stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 16 inches (51.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

65. Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip

Thomas Philip third Lord Grantham, afterwards Earl De Grey, with his brothers, Frederick John and Philip
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 17 1/4 inches (54.3 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. The Honorable Miss Harris

The Honorable Miss Harris
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately texetured, cream laid paper
Dimensions:
Sheet: 18 3/8 × 13 15/16 inches (46.7 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

67. Peniston, William, and Frederick James Lamb: The Affectionate Brothers

Peniston, William, and Frederick James Lamb: The Affectionate Brothers
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 11 9/16 inches (43.4 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

68. Mrs. Gwyn

Mrs. Gwyn
Creator:
Print made by John Young, 1755–1825
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 9 7/8 inches (32.4 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

69. Black-George

Black-George
Creator:
John Chapman, active ca. 1792–1823
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

70. Lady Gertrude Fitzpatrick as Sylvia

Lady Gertrude Fitzpatrick as Sylvia
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

71. Elysium and Tartarus or the State of Final Retribution

Elysium and Tartarus or the State of Final Retribution
Creator:
James Barry, 1741–1806
Date:
1791
Materials & Techniques:
Etching strengthened by engraving
Dimensions:
Plate: 16 1/2 x 36 3/8in. (41.9 x 92.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. North End, Hampstead

North End, Hampstead
Creator:
Francis Jukes, 1747–1812
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane

Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Sion Lodge

Sion Lodge
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Lady Sinclair

Lady Sinclair
Creator:
Print made by Marino Bovi, Italian, 1758–ca.1805
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 x 9 1/16 inches (31.6 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Concert Ticket: Grand Professional Concert

Concert Ticket: Grand Professional Concert
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. A View of Westminster Bridge, the Abbey and Church

A View of Westminster Bridge, the Abbey and Church
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Mrs. Jordan in the Character of Hypolita

Mrs. Jordan in the Character of Hypolita
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 16 1/2 x 21 1/2in. (41.9 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Rosamond's Pond

Rosamond's Pond
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Newcastle House, Clerkenwell Close

Newcastle House, Clerkenwell Close
Creator:
Thomas Prattent, active 1780–1810
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 4 3/4 x 6 3/8in. (12.1 x 16.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Sir Paul Pindar's Lodge....

Sir Paul Pindar's Lodge....
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 9in. (28.6 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Hornsey

Hornsey
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Painting on the South Side Severts Tomb

Painting on the South Side Severts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Speed's Monument in the Chancel of St. Giles, Cripplegate

Speed's Monument in the Chancel of St. Giles, Cripplegate
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. A Curious House at Stepney

A Curious House at Stepney
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Portrait of Joseph Haydn

Portrait of Joseph Haydn
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 x 8 5/8 inches (29.4 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

90. Lollard's Prison

Lollard's Prison
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Memorial in St. Mary's, Lambeth

Memorial in St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 15in. (23.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14in. (23.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A Disunion or the Family Compact Disturbed

A Disunion or the Family Compact Disturbed
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 13/16in. (21.6 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. A Stroke at the Plenipo or Mary's Mistake

A Stroke at the Plenipo or Mary's Mistake
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Mr. H. Angelo's Fencing Academy

Mr. H. Angelo's Fencing Academy
Creator:
Charles Rosenberg, active 1790–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Pedlar and his Dog, St. Mary's, Lambeth

Pedlar and his Dog, St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Evening at Rest

Evening at Rest
Creator:
Philip Dawe, ca.1750–ca.1790
Date:
1791
Materials & Techniques:
Mezzotint, hand colored
Dimensions:
Sheet: 17 3/8 x 21 3/8in. (44.1 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Lubber's Hole - alias - The Crack'd Jordan

Lubber's Hole - alias - The Crack'd Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection