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Date 1795

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1. An Italianate Landscape

An Italianate Landscape
Creator:
John White Abbott, 1763–1851
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
16 5/8 x 24 inches (42.2 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Study of a Grey Horse

Study of a Grey Horse
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1800
Materials & Techniques:
Oil on paper
Dimensions:
8 1/2 x 12 1/8 inches (21.6 x 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The Chalon Family in London

The Chalon Family in London
Creator:
Jacques-Laurent Agasse, 1767–1849
Date:
ca. 1800
Materials & Techniques:
Oil on Academy Board
Dimensions:
5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. A description of the country from thirty to forty miles round Manchester : containing its geography, natural and civil; principal productions; river and canal navigations; a particular account or its towns and chief villages; their history, population, commerce, and manufactures; buildings, government, &c. / The materials arranged, and the work composed by J. Aikin, M.D. embellished and illustrated with seventry-three plates.

No cover image available
Creator:
Aikin, John, 1747–1822
Date:
[1795]
Physical Description:
[2], xvi, [8], 624 pages, [62] leaves of plates ([4] folded) : illustrations, maps, plans, portraits ; 31 cm.
Collection:
Rare Books and Manuscripts

5. City of Lin Tsin, Shantung, with a View of the Grand Canal

City of Lin Tsin, Shantung, with a View of the Grand Canal
Creator:
William Alexander, 1767–1816
Date:
1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)
Creator:
William Alexander, 1767–1816
Date:
ca. 1800
Materials & Techniques:
Aquatint engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Twickenham Park House in Middlesex

Twickenham Park House in Middlesex
Creator:
William Angus, 1752–1821
Date:
1795
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Westminster Hall

Westminster Hall
Creator:
William Angus, 1752–1821
Date:
1795
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Here Nature List'ning Stood

Here Nature List'ning Stood
Creator:
Print made by Cornelis Apostool, 1762–1844
Date:
1795
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Shakespeare Cliff, Dover

Shakespeare Cliff, Dover
Creator:
Samuel Atkins, active 1787–1808
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Man holding a staff

Man holding a staff
Creator:
Thomas Barker, 1769–1847
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 24 inches (76.2 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. Jonah

Jonah
Creator:
James Barry, 1741–1806
Date:
ca. 1800
Materials & Techniques:
Etching
Dimensions:
Sheet: 23 1/2 x 17 3/8in. (59.7 x 44.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Concert Ticket For The Benefit of Madame Banti

Concert Ticket For The Benefit of Madame Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 x 6 1/4 inches (12.7 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Memorial Scene; Woman Reclining Against Tomb

Memorial Scene; Woman Reclining Against Tomb
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Mother And Child

Mother And Child
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah

Ahijah, Foretelling To the Wife of Jeroboam, Of The Death Of Their Son, Abijah
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Lord Camden

Lord Camden
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. His Royal Highness, The Prince Of Wales

His Royal Highness, The Prince Of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Deserted Village

The Deserted Village
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Hand colored stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. William Woollett, Engraver

William Woollett, Engraver
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. To the Royal Kentish Bowmen, This Plate of His Royal Highness, The Prince of Wales

To the Royal Kentish Bowmen, This Plate of His Royal Highness, The Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Hand colored stipple engraving and line engraving, with gum
Dimensions:
Sheet: 19 1/2 x 13 1/4in. (49.5 x 33.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Sheet of Anatomical Studies of Postcranial Bones

Sheet of Anatomical Studies of Postcranial Bones
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. William Woollet

William Woollet
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 6 inches (24.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Ticket: For The Benefit Of Mad' Banti

Ticket: For The Benefit Of Mad' Banti
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 7 1/2 inches (15.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Portrait in Profile of Leonardo da Vinci

Portrait in Profile of Leonardo da Vinci
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Deserted Village

The Deserted Village
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Triumph of Virtue

The Triumph of Virtue
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1795
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plate XI: St Stephen's Chapel

Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plate VIII: St Stephen's Chapel

Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate IX: St Stephen's Chapel

Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Plate XIII: St Stephen's Chapel

Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plate XII: St Stephen's Chapel

Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plate X: St Stephen's Chapel

Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Welsh Landscape

Welsh Landscape
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
ca. 1800
Materials & Techniques:
Pen and black ink, gray wash and white gouache on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Gentlemen Artists at their Studies

Gentlemen Artists at their Studies
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 14 1/4 inches (21.3 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Travels through the Maritime Alps, from Italy to Lyons, across the Col de Tende, by the way of Nice, Provence, Languedoc, &c. : with topographical and historical descriptions : to which are added, some philosophical observations on the various appearances in mineralogy, &c. found in those countries / by Albanis Beaumont ; author of the Rhaetian Alps, &c. &c. &c.

No cover image available
Creator:
Beaumont, Albanis, 1755–1812
Date:
1795
Physical Description:
[6], 127 pages, [3] pages, [24] leaves of plates ([1] folded) : illustrations, maps ; 44 cm
Collection:
Rare Books and Manuscripts

39. Edward George Lind and His Son, Montague

Edward George Lind and His Son, Montague
Creator:
Sir William Beechey, 1753–1839
Date:
ca. 1800
Materials & Techniques:
Oil on canvas
Dimensions:
50 1/4 x 40 1/4 inches (127.6 x 102.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Janet S. Buffinton
On View:
Not on view

40. Thomas Alphonso Hayley, Half-Length Drawing

Thomas Alphonso Hayley, Half-Length Drawing
Creator:
attributed to William Blake, 1757–1827
Date:
ca. 1800
Materials & Techniques:
Graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 5 1/4 inches (17.1 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles Rosenbloom

41. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827
Date:
1795 to 1805
Materials & Techniques:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

42. Matlock Tor

No cover image available
Creator:
James Bourne, 1773–1854
Date:
ca. 1800
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 × 12 5/8 inches (45.7 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Rosemarie Haag Bletter and Martin Filler, in memory of Robert B. Silvers

43. Bowles & Carver's new and enlarged catalogue, of accurate and useful maps, plans, and prints, of various sorts; universal and English atlasses, correct books of roads, architecture, perspective, geometry, antiquities, &c. elegant drawing-books ... also, great variety of other valuable articles ...

Bowles & Carver's new and enlarged catalogue, of accurate and useful maps, plans, and prints, of various sorts; universal and English atlasses, correct books of roads, architecture, perspective, geometry, antiquities, &c. elegant drawing-books ... also, great variety of other valuable articles ...
Creator:
Bowles & Carver
Date:
1795]
Physical Description:
185 (i.e., 177), [3] p. 21 cm.
Collection:
Rare Books and Manuscripts

44. A catalogue of that superlatively capital assemblage of valuable pictures, formed from the sales of the several celebrated collections of M. de Calonne, Baron Nagel, and Sir Joshua Reynolds : with other capital pictures of the first class : forming together an assemblage, superior to any collection that has ever been offered to pubolic attention in this or any other country, comprising the inestimable works of the most-admired Masters :: which will be sold by private contract, at Mr. Bryan's gallery, in Savile Row, on Monday the 27th day of April, 1795, and following days.

No cover image available
Creator:
Bryan, Michael, 1757–1821
Date:
[1795]
Physical Description:
22, [2] pages ; 27 cm
Collection:
Rare Books and Manuscripts

45. Amateurs of Tye-Wig Music

Amateurs of Tye-Wig Music
Creator:
Edward Francis Burney, 1760–1848
Date:
ca. 1800-1815
Materials & Techniques:
Pen and ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/16 x 28 5/16in. (48.7 x 71.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Round and Sound Five Pence a Pund Duke Cherry's

Round and Sound Five Pence a Pund Duke Cherry's
Creator:
Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Etching and aquatint, proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 3/8 inches (42.9 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Round & Sound, Five Pence a Pound, Duke Cherries

No cover image available
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 1/2 inches (39.1 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

50. Account of sepulchral monuments discovered at Lincoln. By the reverend John Carter ... Read at the Society of Antiquaries May 25, 1795.

No cover image available
Creator:
Carter, John, 1761 or 1762–1829
Date:
1795?]
Physical Description:
7 p. 2 plates. 30 cm.
Collection:
Rare Books and Manuscripts