Date: 1827 / Classification: Prints - YCBA Collections Search Search Results

1. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Master Lambton

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 14 1/4 inches (47 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Mrs. Littleton

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 15 1/8 inches (50.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. La Surprise

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1827
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 16 1/8 inches (49.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Sir Humphrey Davy

Creator:: Print made by William Henry Worthington, ca. 1790–active 1839
Date:: 1827
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. Extravaganza's of 1827

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Ruines de Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Pierre de Vaivre

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Vue Generale des Ruines du Château d'Arlay

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 18 11/16 x 13 7/16 inches (47.5 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's Proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 19 1/2 inches (33 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/4 inches (26 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Calais Pier - the English Packet Arriving

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint; engraver's proof (a) on medium, slightly textured, cream wove paper, mounted on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 23 1/4 × 39 1/8 inches (59.1 × 99.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht

Creator:: Edward Duncan, 1803–1882
Date:: 1827
Materials & Techniques:: Aquatint with watercolor
Dimensions:: Sheet: 18 1/2 x 25 1/2in. (47 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Robert Banks Jenkinson, 2nd Earl of Liverpool

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/2 × 17 inches (57.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1827
Materials & Techniques:: Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint and graphite; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (between a&b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 × 15 1/2 inches (27.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Ramsgate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint, engraver's proof (d) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Designs for Gothic Candle Sticks and Branches

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on smooth, thin, blue wove paper
Dimensions:: Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bishop's Chapel Bishop Eton (built c. 1845-1850)

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Lithograph on thin, smooth, blue wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. St. Giles' Catholic Church: Elevation of the Steeple

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and black ink, with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 1/2 × 13 1/8 inches (44.5 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Ansicht vom Schact und Tunnel unter Themse zu London

Creator:: Carl Trautmann, active 1835
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 23 1/8 × 26 5/8 inches (58.7 × 67.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Croix de Moulin les Planches

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/8 x 10 1/2 inches (33.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Works of the New London Bridge

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 13/16 x 8 3/4in. (19.8 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Wilsdon Church, Middlesex

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A View of the East Side of London Bridge in 1827

Creator:: R. Martin, active 1823–1840
Date:: 1827
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 14 x 22 3/16in. (35.6 x 56.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. City of London, Arch of Waterloo Bridge

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 5/16 x 9 1/4in. (16 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Canonbury House, Islington

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/4 x 7 5/8in. (15.9 x 19.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Blackfriar's Bridge

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/16 x 8 1/16in. (15.7 x 20.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Althorp Castle, Northamptonshire

Creator:: James Redway, active 1827–1838
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 x 10 1/2 inches (20.3 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ruins of Kenilworth Castle and Bed of the Lake

Creator:: John Brandard, 1812–1863
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

43. The Lower Parade with Euston Place, Leamington

Creator:: John Brandard, 1812–1863
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

44. The Parade with the Regent Hotel

Creator:: John Brandard, 1812–1863
Date:: undated
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. The Remains of H.R.H. the Duke of York Lying in State

Creator:: unknown artist
Date:: 1827
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 10 1/2 x 13 1/2in. (26.7 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tooting Church

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/2 x 7 1/4in. (16.5 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Old London Bridge and the New Bridge under Construction

Creator:: Print made by unknown artist
Date:: between 1827 and 1828
Materials & Techniques:: Reproduction aquatint
Dimensions:: Sheet: 9 1/8 x 15in. (23.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ticket for a Performance of Sacred Music on 1st March 1827

Creator:: unknown artist
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ancient Sculpture on the Walls of St. Dunstans Stebenlethe

Creator:: T. Levens
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 1/4 x 6 15/16in. (23.5 x 17.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Enfield, Outer Suburb North

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...

Creator:: John Goddard, active 1811–1842
Date:: 1827
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 7/8in. (41.9 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hanover Terrace Regent's Park

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Old Adam and Eve Tavern, Hampstead Road

Creator:: unknown artist
Date:: 1827
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The London Institution, Funsbury Circus

Creator:: William Deeble, active 1814–1849
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Suspension Bridge at Hammersmith

Creator:: George Cooke, 1781–1834
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. His Majesty King George IV Proclaimed King at the Royal Exchange, London

Creator:: unknown artist
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. St. George's Chapel, Regent Street

Creator:: James Tingle, active ca. 1830–1860
Date:: 1827
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Holy Island, Northumberland

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Old London Bridge and Vicinity

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Kilgarren Castle, Pembroke

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Mawes, Cornwall

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827
Materials & Techniques:: Line engraving, Engraver's Proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 13/16 inches (28.9 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (earlier)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving, with scraping out and touched with graphite ( Engraver's Proof )
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Barnard Castle, Durham

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Launceston, Cornwall

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (completed)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. St. Maurice (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 × 12 1/4 inches (43.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Aldborough, Suffolk

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Orford, Suffolk

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Okehampton, Devonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Lancaster Sands

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Knaresborough, Yorkshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Malmsbury Abbey, Wiltshire

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Hampton Court Palace

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Hampton Court Palace

Creator:: Print made by Charles Westwood, active 1819–1838
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Stonyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Stonyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Temple of Minerva, Cape Colonna

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: ca. 1832
Materials & Techniques:: Etching and engraving on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 3/16 inches (30.2 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Vesuvius in Eruption

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 16 15/16 inches (28.4 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Holy Island, Northumberland

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1827

Classification Prints

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1. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

2. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

3. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

4. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

5. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

6. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

7. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

8. Master Lambton

9. Mrs. Littleton

10. La Surprise

11. Sir Humphrey Davy

12. Extravaganza's of 1827

13. Campos sur les bords du Rio das Velhas

14. Ruines de Château d'Arlay

15. Pierre de Vaivre

16. Vue Generale des Ruines du Château d'Arlay

17. Dover

18. Dover

19. Ramsgate

20. Calais Pier - the English Packet Arriving

21. A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht

22. Robert Banks Jenkinson, 2nd Earl of Liverpool

23. Joshua Commanding the Sun to Stand Still

24. Dover

25. Ramsgate

26. Ramsgate

27. Designs for Gothic Candle Sticks and Branches

28. Bishop's Chapel Bishop Eton (built c. 1845-1850)

29. St. Giles' Catholic Church: Elevation of the Steeple

30. Merry Wives of Windsor

31. Ansicht vom Schact und Tunnel unter Themse zu London

32. Taming of the Shrew

33. Croix de Moulin les Planches

34. The Ploughman

35. The Works of the New London Bridge

36. Wilsdon Church, Middlesex

37. A View of the East Side of London Bridge in 1827

38. City of London, Arch of Waterloo Bridge

39. Canonbury House, Islington

40. Blackfriar's Bridge

41. Althorp Castle, Northamptonshire

42. Ruins of Kenilworth Castle and Bed of the Lake

43. The Lower Parade with Euston Place, Leamington

44. The Parade with the Regent Hotel

45. The Remains of H.R.H. the Duke of York Lying in State

46. Tooting Church

47. Old London Bridge and the New Bridge under Construction

48. Ticket for a Performance of Sacred Music on 1st March 1827

49. Ancient Sculpture on the Walls of St. Dunstans Stebenlethe

50. Enfield, Outer Suburb North

51. This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...

52. Hanover Terrace Regent's Park

53. The Old Adam and Eve Tavern, Hampstead Road

54. The London Institution, Funsbury Circus

55. Suspension Bridge at Hammersmith

56. His Majesty King George IV Proclaimed King at the Royal Exchange, London

57. St. George's Chapel, Regent Street

58. Exeter

59. Holy Island, Northumberland

60. Exeter

61. Tynemouth, Northumberland

62. Old London Bridge and Vicinity

63. Kilgarren Castle, Pembroke

64. St. Mawes, Cornwall

65. Florence

66. Saltash, Cornwall

67. Saltash, Cornwall

68. Saltash, Cornwall

69. Saltash, Cornwall

70. Saltash, Cornwall

71. Barnard Castle, Durham

72. Launceston, Cornwall

73. Exeter

74. St. Maurice (vignette)