Date: 1832 / Classification: Prints - YCBA Collections Search Search Results

1. Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.

Creator:: Print made by Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 22 x 15 1/8 inches (55.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

2. Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 21 1/4 x 14 1/4in. (54 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?), partly hand-colored
Dimensions:: Sheet: 21 3/4 x 15in. (55.2 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph printed in black ink (proof?)
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Psittacara Naria / Dwarf Parrakeet Maccaw (Plate 12)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand colored lithograph on wove paper
Dimensions:: Sheet: 21 1/2 x 14 3/4in. (54.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Platycereus Tabuensis / Tabuan Parrakeet (Plate 16)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Red-capped Parrakeet , male (Plate 21)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 21 1/2 x 15in. (54.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Platycercus Stanley II / Stanley Parrakeet (Young Male) (Plate 24)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Pacific Parrakeet (Plate 26)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 19 1/4 x 14in. (48.9 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Platycercus Pacificus / Pacific Parrakeet (Plate 26)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/2 x 13 5/8in. (52.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Collared Parrakeet (Plate 40)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph printed in black, plate trimmed
Dimensions:: Sheet: 16 x 11 1/2in. (40.6 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. Rome from Monte Pincio

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 16 1/2in. (24.8 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

13. Cervara

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/4 x 14 15/16in. (24.8 x 37.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

14. Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 22 1/4 x 15in. (56.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 x 11 3/4in. (50.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?), hand-colored on wove paper
Dimensions:: Sheet: 21 1/2 x 14 3/4in. (54.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. Psittacula Rubrifrons/ Red-fronted Parrakeet (Plate 41)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph printed in black ink (proof?)
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

18. (Swindern's Parrakeet) (Plate 42)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on chine-collé
Dimensions:: Sheet: 13 1/2 x 10 1/2in. (34.3 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

19. Psittacula Swinderniana. Swindern's Parrakeet

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: hand-colored lithograph printed in black ink
Dimensions:: Sheet: 20 3/4 x 14 5/8 inches (52.7 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

20. Valmontone, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 1/2 × 14 15/16 inches (24.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Hyacinthine Maccaw (Plate 9)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph; proof on wove paper with chine-collé
Dimensions:: Sheet: 20 x 13 3/4in. (50.8 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Platycerus Barnardi / Barnard's Parrakeet (Plate 18)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

23. Platycercus Brownii / Brown's Parrakeet

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/4 x 13 3/8in. (51.4 x 34cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 22 x 14 3/4in. (55.9 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Palaeornia Columbiodes / Pigeon Parrakeet (Plate 31)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Lithograph (proof?) on wove paper
Dimensions:: Sheet: 22 x 15in. (55.9 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Lorius Domicella / Black-capped Lorry (Plate 37)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 20 1/2 x 13in. (52.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

27. Abyssinian Parrakeet (Plate 39)

Creator:: Edward Lear, 1812–1888
Date:: 1832
Materials & Techniques:: Hand-colored lithograph on wove paper
Dimensions:: Sheet: 11 x 11in. (27.9 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

28. R. P. Bonington

Creator:: Edward Scriven, 1775–1841
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Demolition of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Part of Waterloo Bridge with the Shot Tower and Company

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 6 7/8in. (25.7 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ruins of the Crypt of St. Thomas on Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 5/8 x 11 5/8in. (24.4 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. New London Bridge from Billingsgate (low water)

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 11 13/16 x 15 5/8in. (30 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Theatre and Covered Seats in White Conduit Gardens

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. St. Dunstan's Church, Fleet Street

Creator:: George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plan of the Former Hall of the Dyers' Company, removed 1838

Creator:: C. F. Kell, active 1882
Date:: undated
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Duke of Buccleugh's; Western Suburb

Creator:: unknown artist
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Plymouth, Devonshire

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Kenilworth Castle

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Etching and engraving, 2nd state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/2 × 14 9/16 inches (26.7 × 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Toll House, Richmond Bridge

Creator:: William Bernard Cooke, 1778–1855
Date:: 1832
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Ashby de la Zouch

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Etching and engraving 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Havre

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Madras [graphic].

Date:: [1832?]
Physical Description:: 1 print : aquatint ; sheet 15 x 233 cm, rolled to 15 x 2.5 cm (scroll format)
Collection:: Rare Books and Manuscripts

55. Gate of Theseus, Athens

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 8 5/8 inches (29.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Corinth from the Acropolis

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 3/8 inches (28.9 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. River Scene, Aldercar

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: ca. 1837
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/2 x 8 inches (8.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Malta

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 15/16 × 8 9/16 inches (15.1 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Temple of Minerva, Cape Colonna

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Gibraltar

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832
Materials & Techniques:: Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 8 11/16 inches (15.4 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Tomb of Cecilia Metella, Rome

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 16 5/8 inches (28.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Penny Wedding

Creator:: James Stewart, 1791–1863
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 x 25 1/2in. (48.3 x 64.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Santa Maria della Spina, Pisa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 5/16 × 10 13/16 inches (41.4 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Plain of Troy

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving, third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/16 inches (28.3 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Bernese Alps

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Program Cover for a Performance of Sacred Music at St. Saviours Church

Creator:: Thomas Talbot Bury, 1811–1877
Date:: 1832
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint (engraved proof) on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 30 3/4 × 21 inches (78.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. Julia, Lady Peel

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1832
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 11/16 x 14 3/8 inches (45 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. Calais Pier

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: after 1832
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 1/2 inches (34.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Ashby de la Zouch, Leicestershire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Warwick Castle, Warwickshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof a)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Tamworth Castle, Staffordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Brinkburn Priory, Northumberland

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Tamworth Castle, Staffordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Penmaen Mawr, Caernarvonshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof (completed) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/8 × 21 1/16 inches (38.4 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and line engraving, with graphite and scraping out (Engraver's Proof a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Santa Maria della Spina

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Field of Waterloo from Hougoumont

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. St. Sophia, Constantinople

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Date 1832

Classification Prints

Search Results

1. Plyctolophus Galeritus. Greater Sulphur-crested Cockatoo.

2. Lesser Sulphur-crested Cockatoo (Plate 4)

3. Plyctolophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

4. Macrocerus Ararauna / Blue and Yellow Maccaw / 2/3 Nat. size (Plate 8)

5. Psittacara Naria / Dwarf Parrakeet Maccaw (Plate 12)

6. Platycereus Tabuensis / Tabuan Parrakeet (Plate 16)

7. Red-capped Parrakeet , male (Plate 21)

8. Platycercus Stanley II / Stanley Parrakeet (Young Male) (Plate 24)

9. Pacific Parrakeet (Plate 26)

10. Platycercus Pacificus / Pacific Parrakeet (Plate 26)

11. Collared Parrakeet (Plate 40)

12. Rome from Monte Pincio

13. Cervara

14. Illustrations of the Family of Psittacidae , Or Parrots, Part 1: Folio Wrapper,Title Page, Dedication Page, Subscriber's Page

15. Plyctolophus Rosaceus / Salmon-crested Cockatoo 4/5 Nat. size (Plate 2)

16. Plyctophus Sulphureus / Lesser Sulphur-crested Cockatoo (Plate 4)

17. Psittacula Rubrifrons/ Red-fronted Parrakeet (Plate 41)

18. (Swindern's Parrakeet) (Plate 42)

19. Psittacula Swinderniana. Swindern's Parrakeet

20. Valmontone, from Views in Rome and its Environs, 1841

21. Hyacinthine Maccaw (Plate 9)

22. Platycerus Barnardi / Barnard's Parrakeet (Plate 18)

23. Platycercus Brownii / Brown's Parrakeet

24. Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24)

25. Palaeornia Columbiodes / Pigeon Parrakeet (Plate 31)

26. Lorius Domicella / Black-capped Lorry (Plate 37)

27. Abyssinian Parrakeet (Plate 39)

28. R. P. Bonington

29. Demolition of Old London Bridge

30. Part of Waterloo Bridge with the Shot Tower and Company

31. London Bridge--- Demolition

32. Ruins of the Crypt of St. Thomas on Old London Bridge

33. New London Bridge from Billingsgate (low water)

34. The Theatre and Covered Seats in White Conduit Gardens

35. St. Dunstan's Church, Fleet Street

36. Plan of the Former Hall of the Dyers' Company, removed 1838

37. The Duke of Buccleugh's; Western Suburb

38. Plymouth, Devonshire

39. Kenilworth Castle

40. The Toll House, Richmond Bridge

41. Chatham, Kent

42. Ashby de la Zouch

43. Warwick Castle, Warwickshire

44. Warwick Castle, Warwickshire

45. Richmond Hill and Bridge, Surrey

46. Richmond Hill and Bridge, Surrey

47. Ashby de la Zouch, Leicestershire

48. Ashby de la Zouch, Leicestershire

49. Brinkburn Priory, Northumberland

50. Kenilworth Castle, Warwickshire

51. Brinkburn Priory, Northumberland

52. Kenilworth Castle, Warwickshire

53. Havre

54. Madras [graphic].

55. Gate of Theseus, Athens

56. Corinth from the Acropolis

57. Part of Waterloo Bridge with the Shot Tower, &c.

58. River Scene, Aldercar

59. Cologne

60. Malta

61. Temple of Minerva, Cape Colonna

62. Gibraltar

63. The Acropolis of Athens

64. Tomb of Cecilia Metella, Rome

65. The Penny Wedding

66. Santa Maria della Spina, Pisa

67. The Plain of Troy

68. Bacharach on the Rhine

69. The Bernese Alps

70. Program Cover for a Performance of Sacred Music at St. Saviours Church

71. Countess Gower and Her Daughter Lady Elizabeth Leveson Gower

72. Julia, Lady Peel

73. Calais Pier

74. Richmond Hill and Bridge, Surrey