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1. Cicero's Villa and the Gulf of Pozzuoli

Cicero's Villa and the Gulf of Pozzuoli
Creator:
Richard Wilson, 1713/4–1782
Date:
1773 to 1780
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 21 1/4 inches (43.2 × 54 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Hadrian's Villa

Hadrian's Villa
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1775 and 1782
Materials & Techniques:
Oil on canvas
Dimensions:
17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. St. Augustine's Gate, Canterbury

St. Augustine's Gate, Canterbury
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
ca. 1778
Materials & Techniques:
Oil on canvas
Dimensions:
27 1/2 x 35 1/4 inches (69.9 x 89.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ruins of the Basilica of Maxentius in the Roman Forum

Ruins of the Basilica of Maxentius in the Roman Forum
Creator:
Abraham Louis Rodolphe Ducros, 1748–1810
Date:
1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on laid paper
Dimensions:
Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ruins at Pergamon, Probably of the Amphitheatre

Ruins at Pergamon, Probably of the Amphitheatre
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of Ruins at Tivoli

View of Ruins at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash, blue wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Old Walton Bridge seen from the Middlesex Shore

Old Walton Bridge seen from the Middlesex Shore
Creator:
Canaletto, 1697–1768
Date:
1755
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Bath: The New Bridge

Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of the Ruined Theater of Aezani at Tjaden

View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View and Plan of the Theater of Hierapolis (now Pamukkale)

View and Plan of the Theater of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 3/8 x 14 15/16 inches (54.3 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Aquedotto Angolare

Aquedotto Angolare
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 7/8 x 21 1/4 inches (37.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. View of Tivoli

View of Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 3/16 inches (37.9 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of the Ruined Baths at Hadrian's Villa at Tivoli

View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dudley Priory in Worcestershire, Plate 1

Dudley Priory in Worcestershire, Plate 1
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 11/16 inches (17.8 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
Print made by M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 13/16 × 7 5/8 inches (14.7 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Claudian Aquaduct, Rome

The Claudian Aquaduct, Rome
Creator:
Francis Towne, 1740–1816
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Oodhua Nala (Udhwa Nala)

Oodhua Nala (Udhwa Nala)
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 20 7/8 inches (28.7 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

20. A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens

A General Prospect of Vaux Hall Gardens, Shewing at one View the disposition of the whole Gardens
Creator:
John S. Muller, ca. 1715–1792
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Dudley Priory in Worcestershire, Plate 2

Dudley Priory in Worcestershire, Plate 2
Creator:
M. Coote, ca. 1758/62–1801
Date:
before 1786
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 15/16 × 8 3/4 inches (17.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Lucknow, Upper India

Lucknow, Upper India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

24. Lucknow, Upper India

Lucknow, Upper India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 18 3/4 inches (28.7 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

25. Ecclesiastical Ruins beside the Thames (?)

Ecclesiastical Ruins beside the Thames (?)
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and pen and black ink on moderately thick, moderately textured, white laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/8 inches (12.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. At Portici

At Portici
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 10 5/8 inches (16.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection