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1. Apsley House and Piccadilly ... from Hyde Park Corner

Apsley House and Piccadilly ... from Hyde Park Corner
Creator:
Frederick Nash, 1782–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 3/4in. (18.1 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Design for a Ceiling at Addiscombe: Bacchus and Ariadne
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Design for London Bridge Approach

Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Le Pont de Waterloo a Londres

No cover image available
Creator:
John Postle Heseltine, 1843–1929
Date:
1897
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

12. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1761
Materials & Techniques:
Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:
Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Sketch for the Oil Painting "The Conversion of St. Paul"

Sketch for the Oil Painting "The Conversion of St. Paul"
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:
Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. St. Martin's Church Westminster

St. Martin's Church Westminster
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
1810
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Admiralty Office

The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Baptist Church House, Southampton Row, W. C.

The Baptist Church House, Southampton Row, W. C.
Creator:
Arthur Keen, 1861–1938
Date:
ca. 1901
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 14 inches (43.8 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

19. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London
Creator:
unknown artist
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

21. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. View of Cumberland Terrace

View of Cumberland Terrace
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. West Hill, the seat of D.H. Rucker

West Hill, the seat of D.H. Rucker
Creator:
Humphry Repton, 1752–1818
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 7 1/8 inches (13.3 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Westminster Abbey from Tothill Fields

Westminster Abbey from Tothill Fields
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view