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Genre architectural subject

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Work Type intaglio print

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Subject Terms literary theme

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Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
William Miller Sandy Knowe, or Smailholm Tower (Vignette)
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
William Miller Sandy Knowe, or Smailholm Tower
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower
1839
William Miller Abbotsford, Large Vignette
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
William Miller Abbotsford from the Northern Bank of the Tweed
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839