`Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800
1800
23
Capt. Francis Grose, 1731–1791
View near Arwington Hall, Suffolk
1767
24
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
25
James Seymour, 1702–1752
A Hare Running, with Ears Laid Back
undated
26
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
27
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
28
James Seymour, 1702–1752
Two Horses Trotting in Harness
undated
29
James Seymour, 1702–1752
Sir Sidney Meadows Schooling a Horse
undated
30
James Seymour, 1702–1752
Sketches of a Gelding
undated
31
James Seymour, 1702–1752
Hind Legs and Tail of a Horse
undated
32
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
33
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
34
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
35
John Michael Rysbrack, 1694–1770
Two Horses' Heads
undated
36
James Seymour, 1702–1752
A Greyhound, Facing Left
undated
37
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
38
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
39
Rev. William Gilpin, 1724–1804
The Artist's Bookplate and Pen Inscription from a Drawing Album