Views in England, Scotland and Wales; Tour in Scotland: Lowdoor Cascade, AG
1803
2
Miss Mary Byrne, 1776–1846
Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)
1829
3
Print made by Jonathan Spilsbury, active 1765–1780
Mrs. Macaulay
ca. 1764
4
Print made by Jonathan Spilsbury, active 1765–1780
Catharine Macaulay
ca. 1764
5
Richard Purcell, active 1746–1766
Miss Harriet Powell
6
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
7
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
8
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Opening"
1999
9
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
10
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
11
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
12
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
13
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
14
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
15
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
16
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
17
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
18
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
19
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
20
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
21
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
22
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
23
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
24
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
25
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
26
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
27
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
28
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
29
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
30
James Gillray, 1756–1815
Half Natural
1799
31
James Gillray, 1756–1815
Pen-etration
1799
32
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
33
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
34
Mrs. P. D. H. Page, 20th century
Iris, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 4]
undated
35
Mrs. P. D. H. Page, 20th century
Millet, After the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 16r]
undated
36
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]
undated
37
Mrs. P. D. H. Page, 20th century
Cabbage Rose, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 58]
undated
38
Mrs. P. D. H. Page, 20th century
Marrow, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 85]
undated
39
Mrs. P. D. H. Page, 20th century
Pineapple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 11 A]
undated
40
Mrs. P. D. H. Page, 20th century
Mammea Apple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 12 A]
undated
41
Mrs. P. D. H. Page, 20th century
Horn Plantain, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 13 A]
undated
42
Mrs. P. D. H. Page, 20th century
Grunt, after the original by John White in the British Museum [Caribbean and Oceanic, No. 24 A]
undated
43
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 23 A]
undated
44
Mrs. P. D. H. Page, 20th century
Corn Poppy, After the Original by Jacques Le Moune de Morgues in the Victoria & Albert Museum [No. 15r]
undated
45
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
46
Mrs. P. D. H. Page, 20th century
Apple, Aafter the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 75]
undated
47
Mrs. P. D. H. Page, 20th century
Brown Booby, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
48
Mrs. P. D. H. Page, 20th century
Flamingo, after the original by John White in the British Museum [Caribbean and Oceanic, No. 15]
undated
49
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 22]
undated
50
Mrs. P. D. H. Page, 20th century
Noddy Tern, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
51
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish, after the original by John White in the British Museum [Caribbean andOceanic, No. 20]
undated
52
Mrs. P. D. H. Page, 20th century
Soldier-Fish, after the original by John White in the British Museum [Caribbean and Oceanic, No. 25 A]
undated
53
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
54
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
55
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
56
Print made by Lucian Freud, 1922–2011
Lawrence Gowing
1982
57
Print made by Valentine Green, 1739–1813
Georgiana, Duchess of Devonshire as 'Cynthia'
1783
58
Print made by James Watson, 1740–1790
Miss Trimmer
59
Richard Purcell, active 1746–1766
A Venetian Lady at Masquerade
60
Miss Mary Byrne, 1776–1846
Palais de Versailles, Facade du Jardin; page five [A. Pirgin, direx] (Volume Three)
61
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
62
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
63
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
64
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
65
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
66
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
67
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
68
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
69
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
70
Francesco Bartolozzi, 1728–1815
Diana Preparing for Hunting
71
Francesco Bartolozzi, 1728–1815
Invention
1787
72
Francesco Bartolozzi, 1728–1815
The Three Fine Arts (Fan)
73
Langlands & Bell, since 1978
"Opening" and "Capture": a typical section/elevation
1999
74
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Capture"
1999
75
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
76
Print made by William Baillie, 1723–1810
Portrait of Sofonisba Angusciola Pittrice
between 1761 and 1786
77
Prints made by Cecelia Lucy Brightwell, 1811–1875
A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs