Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
19
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
20
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
21
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
22
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
23
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
24
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater (1787-1801)
1800
25
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
26
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
27
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
28
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
29
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks