Print made by Jonathan Spilsbury, active 1765–1780
Mrs. Macaulay
ca. 1764
4
Print made by Jonathan Spilsbury, active 1765–1780
Catharine Macaulay
ca. 1764
5
Richard Purcell, active 1746–1766
Miss Harriet Powell
6
Print made by John Spilsbury, 1730–1795
Catherine Macaulay (née Sawbridge)
1764
7
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
8
Robert Smirke, 1752–1845
Untitled: Classical Domestic Scene
9
Robert Smirke, 1752–1845
Untitled: Classical Pastoral Scene
10
Robert Smirke, 1752–1845
Untitled: Two Medieval Crests
11
Print made by Louisa Augusta Greville, 1743–active 1762
Landscape with a Youth Driving a Flock of Sheep
1761
12
Print made by Jean Marie Delatre, 1746–1840
The Death of Mark Antony
1805
13
Louisa Augusta Greville, 1743–active 1762
Clerical figure with three balls balanced between his hands
ca. 1762
14
Louisa Augusta Greville, 1743–active 1762
Pastoral scene with river, cattle and woman conversing with a traveller
1762
15
Print made by William Baillie, 1723–1810
Portrait of Sofonisba Angusciola Pittrice
between 1761 and 1786
16
Print made by Thomas Rowlandson, 1756–1827
Frontispiece, All Hail Dalblair!
1786
17
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
18
Prints made by Cecelia Lucy Brightwell, 1811–1875
A Collection of Etchings...after Cotman, Fuseli, Rembrandt, Durer, Roysdael, Caracci, after her own designs
19
Mrs. P. D. H. Page, 20th century
Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]
undated
20
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 23 A]
undated
21
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 22]
undated
22
Mrs. P. D. H. Page, 20th century
Grunt, after the original by John White in the British Museum [Caribbean and Oceanic, No. 24 A]
undated
23
Mrs. P. D. H. Page, 20th century
Grape-vine, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 74]
undated
24
Mrs. P. D. H. Page, 20th century
Pineapple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 11 A]
undated
25
Mrs. P. D. H. Page, 20th century
Horn Plantain, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 13 A]
undated
26
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish, after the original by John White in the British Museum [Caribbean andOceanic, No. 20]
undated
27
Mrs. P. D. H. Page, 20th century
Iris, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 4]
undated
28
Mrs. P. D. H. Page, 20th century
Corn Poppy, After the Original by Jacques Le Moune de Morgues in the Victoria & Albert Museum [No. 15r]
undated
29
Mrs. P. D. H. Page, 20th century
Millet, After the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 16r]
undated
30
Mrs. P. D. H. Page, 20th century
Cabbage Rose, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 58]
undated
31
Mrs. P. D. H. Page, 20th century
Brown Booby, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
32
Mrs. P. D. H. Page, 20th century
Flamingo, after the original by John White in the British Museum [Caribbean and Oceanic, No. 15]
undated
33
Mrs. P. D. H. Page, 20th century
Noddy Tern, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
34
Mrs. P. D. H. Page, 20th century
Soldier-Fish, after the original by John White in the British Museum [Caribbean and Oceanic, No. 25 A]
undated
35
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Capture"
1999
36
Mrs. P. D. H. Page, 20th century
Apple, Aafter the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 75]
undated
37
Mrs. P. D. H. Page, 20th century
Marrow, after the Original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 85]
undated
38
James Gillray, 1756–1815
Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough
1806
39
James Gillray, 1756–1815
Political Mathematician's Shaking the Broad Bottom'd Hemispheres
ca. 1811
40
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
41
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
42
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
43
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
44
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
45
James Gillray, 1756–1815
Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise
1806
46
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
47
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
48
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
49
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
50
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
51
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
52
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
53
Print made by Caroline Watson, 1760–1814
The Right Honourable. James Harris, 1st Earl of Malmesbury
1797
54
Print made by James Watson, 1740–1790
Miss Trimmer
55
Miss Mary Byrne, 1776–1846
Palais de Versailles, Cour Royale, page four [A. Pirgin, direx] (Volume Three)
1829
56
Miss Mary Byrne, 1776–1846
Palais de Versailles, Facade du Jardin; page five [A. Pirgin, direx] (Volume Three)
57
Francesco Bartolozzi, 1728–1815
Diana Preparing for Hunting
58
Francesco Bartolozzi, 1728–1815
Invention
1787
59
Francesco Bartolozzi, 1728–1815
The Three Fine Arts (Fan)
60
Langlands & Bell, since 1978
"Opening" and "Capture": a plan of "Opening"
1999
61
Langlands & Bell, since 1978
"Opening" and "Capture": a typical section/elevation
1999
62
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
63
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
64
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
65
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
66
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
67
James Gillray, 1756–1815
The Apotheosis of the Corsican Phoenix
1808
68
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
69
James Gillray, 1756–1815
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
70
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
71
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
72
James Gillray, 1756–1815
Half Natural
1799
73
James Gillray, 1756–1815
Pen-etration
1799
74
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
75
Amos Green, 1735–1807
Views in England, Scotland and Wales; Tour in Scotland: Lowdoor Cascade, AG
1803
76
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
77
Mrs. P. D. H. Page, 20th century
Mammea Apple, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 12 A]