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3301. Study of a Mansion with Gardens, Leonis Hall

Study of a Mansion with Gardens, Leonis Hall
Creator:
Myles Birket Foster, 1825–1899
Materials & Techniques:
Graphite
Dimensions:
Sheet: 5 x 6 15/16in. (12.7 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3302. Study of a Man's Head and Beard

Study of a Man's Head and Beard
Creator:
Myles Birket Foster, 1825–1899
Materials & Techniques:
Graphite
Dimensions:
Sheet: 5 x 6 15/16in. (12.7 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3303. Sketch of a Coat of Arms, Study of a Thatched Cottage, and Notes in Longhand

Sketch of a Coat of Arms, Study of a Thatched Cottage, and Notes in Longhand
Creator:
Myles Birket Foster, 1825–1899
Materials & Techniques:
Graphite
Dimensions:
Sheet: 5 x 6 15/16in. (12.7 x 17.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3304. North of Rouen, South of the Somme: A Crossroads in France

North of Rouen, South of the Somme: A Crossroads in France
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 1/2in. (49.5 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3305. Clay Feet

Clay Feet
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3306. Getting out at Cherbourg

Getting out at Cherbourg
Creator:
Hughie O'Donoghue, born 1953
Date:
1997
Materials & Techniques:
Color carborundum print on 300gsm Somerset TP white wove paper
Dimensions:
Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3307. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 13 1/8 × 10 3/4 inches (33.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3308. Drawing of Hands

Drawing of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 9 1/8 × 10 1/2 inches (23.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3309. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 13 5/8 × 10 5/8 inches (34.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3310. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 11 × 10 inches (27.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3311. Returning to the Trenches

Returning to the Trenches
Creator:
Print made by C. R. W. Nevinson, 1889–1946
Date:
1916
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 7/16 x 11 1/16 inches (21.4 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3312. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 12 × 9 3/8 inches (30.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3313. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 14 7/8 × 11 1/2 inches (37.8 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3314. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 5 3/8 × 6 3/8 inches (13.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3315. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3316. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on thin, moderately textured, brown laid paper
Dimensions:
Sheet: 4 × 3 3/4 inches (10.2 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3317. Lunar Planisphere, Hypothetical Oblique Light

Lunar Planisphere, Hypothetical Oblique Light
Creator:
Print made by John Russell, 1745–1806
Date:
1806
Materials & Techniques:
Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 16 3/8 inches (43.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3318. Lunar Planisphere, Flat Light

Lunar Planisphere, Flat Light
Creator:
Print made by John Russell, 1745–1806
Date:
1805
Materials & Techniques:
Stipple and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 18 3/4 inches (50.2 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3319. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed aquatint; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3320. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed etching, aquatint, and open-bite; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3321. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed etching and aquatint; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3322. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed etching; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3323. Untitled

Untitled
Creator:
Print made by Stephen Buckley, born 1944
Date:
1979
Materials & Techniques:
Color-printed etching and aquatint; artist's proof on moderately thick, moderately textured, white wove paper
Dimensions:
Sheet: 11 × 9 5/8 inches (27.9 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3324. Fifty Etchings

Fifty Etchings
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3325. Commemorative Portrait of a Racehorse called Othello

Commemorative Portrait of a Racehorse called Othello
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3326. Study for 'Elijah'

Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 11 inches (18.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3327. Study for 'Elijah'

Study for 'Elijah'
Creator:
Peter DeWint, 1784–1849
Date:
1828
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 16 inches (25.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3328. Macbeth and the Witch

Macbeth and the Witch
Creator:
George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Watercolor with black and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3329. Hamlet and the Ghost

Hamlet and the Ghost
Creator:
George Cruikshank, 1792–1878
Date:
ca. 1825
Materials & Techniques:
Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3330. The Last House in Lynmouth

The Last House in Lynmouth
Creator:
Helen Allingham, 1848–1926
Date:
1874
Materials & Techniques:
Watercolor and gouache with scratching out on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3331. Marinetti Reciting One of His Restful Futuristic Poems

Marinetti Reciting One of His Restful Futuristic Poems
Creator:
Adrian Allinson, 1890–1959
Date:
undated
Materials & Techniques:
Pen and black ink with white gouache on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 7 1/2 inches (24.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3332. Fredegonda at the Deathbed of Praetextatus

Fredegonda at the Deathbed of Praetextatus
Creator:
Sir Lawrence Alma-Tadema, 1836–1912
Date:
ca. 1864
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3333. Mountainous Landscape, North Wales

Mountainous Landscape, North Wales
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1802
Materials & Techniques:
Watercolor and gum over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3334. Windermere During the Regatta

Windermere During the Regatta
Creator:
David Cox, 1783–1859
Date:
1832
Materials & Techniques:
Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3335. Selling of Cupids

Selling of Cupids
Creator:
Henry Fuseli, 1741–1825
Date:
between 1775 and 1776
Materials & Techniques:
Black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 19 inches (31.1 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3336. Granby Hill, Bristol

Granby Hill, Bristol
Creator:
James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3337. Durham Cathedral

Durham Cathedral
Creator:
George Arthur Fripp, 1813–1896
Date:
1846
Materials & Techniques:
Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 24 7/8 inches (35.9 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3338. Portrait of Miss Lysons

Portrait of Miss Lysons
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1795
Materials & Techniques:
Graphite with black and red chalk on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/8 x 10 1/4 inches (30.8 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3339. Study for Battledore and Shuttlecock

Study for Battledore and Shuttlecock
Creator:
Albert Joseph Moore, 1841–1893
Date:
ca. 1871
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3340. Piazza Salone, Padua

Piazza Salone, Padua
Creator:
George Franklin, active 1825–1845
Date:
1836
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3341. The Return from Labor

The Return from Labor
Creator:
William Powell Frith, 1819–1909
Date:
ca. 1846
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 × 7 3/8 inches (25.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3342. The Pont de la Concorde and Tuileries Palace from the Cours la Reine

The Pont de la Concorde and Tuileries Palace from the Cours la Reine
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1823
Materials & Techniques:
Watercolor and brown ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 10 1/2 inches (16.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3343. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3344. Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3345. Theatrical Figures About a Throne

Theatrical Figures About a Throne
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3346. Cafe Concert, Dieppe

Cafe Concert, Dieppe
Creator:
Walter Richard Sickert, 1860–1942
Date:
ca. 1920
Materials & Techniques:
Pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 x 8 3/8 inches (27.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3347. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3348. Shakespearean Scene (?): A Pilgrim

Shakespearean Scene (?): A Pilgrim
Creator:
Joseph Farington, 1747–1821
Date:
1796
Materials & Techniques:
Pen and brown ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of thick, slightly textured, beige wove paper
Dimensions:
Mount: 18 1/2 × 15 5/8 inches (47 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3349. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:
Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3350. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3351. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3352. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper, stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 15/16 × 8 15/16 inches (17.6 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3353. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3354. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3355. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3356. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3357. La Halle au Lin, Dieppe

La Halle au Lin, Dieppe
Creator:
Walter Richard Sickert, 1860–1942
Date:
1902
Materials & Techniques:
Black chalk and watercolor over a ground on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 10 7/8 x 8 5/8 inches (27.6 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3358. The Reverend Anthony Stephen Mathew

The Reverend Anthony Stephen Mathew
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 6 inches (19.1 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3359. Fluellen Forcing Pistol to Eat His Leek

Fluellen Forcing Pistol to Eat His Leek
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 14 × 10 1/8 inches (35.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3360. Alcibiades and Timon

Alcibiades and Timon
Creator:
Richard Westall, 1765–1836
Date:
ca. 1805
Materials & Techniques:
Watercolor with gouache and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3361. Italian Landscape (after Titian)

Italian Landscape (after Titian)
Creator:
John Evelyn, 1620–1706
Date:
1656
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 11 7/8 inches (19.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3362. Wooded Landscape with Country Cart and Figures Walking down a Lane

Wooded Landscape with Country Cart and Figures Walking down a Lane
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1760
Materials & Techniques:
Pen and brown ink with gray wash over graphite on medium, slightly textured, cream laid paper, laid onto contemporary (wash-line) mount
Dimensions:
Sheet: 10 5/8 x 13 3/8 inches (27 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3363. Nant Francon, North Wales

Nant Francon, North Wales
Creator:
George Arthur Fripp, 1813–1896
Date:
1862
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, gum arabic, and scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 5/16 × 28 3/4 inches (46.5 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3364. Street Scene in Calais

Street Scene in Calais
Creator:
John Scarlett Davis, 1804–1845
Date:
undated
Materials & Techniques:
Watercolor with scratching out over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3365. Study of Sir Alexander Allan

Study of Sir Alexander Allan
Creator:
Thomas Hickey, 1741–1824
Date:
1799
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 3/4 × 10 1/8 inches (42.5 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3366. Rowe collection of botanical specimens, 1861-1862.

Rowe collection of botanical specimens, 1861-1862.
Creator:
Rowe, Miss
Date:
1861-1862
Physical Description:
5 linear feet (6 boxes, 1 oversize)
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3367. Ellen Fenton diaries.

Ellen Fenton diaries.
Creator:
Fenton, Ellen, b. ca. 1813
Date:
1854-1862
Physical Description:
9 v. : ill. ; 33 cm
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3368. Wild flowers worth notice : being a selection from the British flora of some of our native plants, which are most attractive from their beauty, uses, or associations / by Mrs. Lankester ; fully illustrated by J.E. Sowerby.

Wild flowers worth notice : being a selection from the British flora of some of our native plants, which are most attractive from their beauty, uses, or associations / by Mrs. Lankester ; fully illustrated by J.E. Sowerby.
Creator:
Lankester, Phebe, 1825–1900
Date:
1861
Physical Description:
xiv, 138, [2] p., [8] leaves of plates : col. ill. ; 17 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3369. Spooner's transformations.

Spooner's transformations.
Date:
1838 [-39]
Physical Description:
col. plates : 29 cm.
Collection:
Rare Books and Manuscripts
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3370. Antique British concave 'Carlo Maratta' frame

Antique British concave 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
4th quarter of 18th century
Materials & Techniques:
carved pine, original matt and burnished water gilding, partially restored
Dimensions:
Frame: 80 3/4 x 112 1/2 x 6 1/4 inches (205.1 x 285.8 x 15.9 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art, Paul Mellon Fund