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1. David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"

David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
ca. 1762
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. A Bridge Over the River Wye

A Bridge Over the River Wye
Creator:
John Taylor of Bath, 1735–1806
Date:
1776
Materials & Techniques:
Oil on copper
Dimensions:
9 7/8 x 13 inches (25.1 x 33 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii

Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
Creator:
Charles Hunt, 1803–1877
Date:
1863
Materials & Techniques:
Oil on canvas
Dimensions:
18 x 26 inches (45.7 x 66 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

4. The Old Water Mill

The Old Water Mill
Creator:
George Morland, 1763–1804
Date:
1790
Materials & Techniques:
Oil on canvas
Dimensions:
39 1/2 x 49 1/8 inches (100.3 x 124.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. Emily and George Mason

Emily and George Mason
Creator:
Arthur William Devis, 1762–1822
Date:
between 1794 and 1795
Materials & Techniques:
Oil on canvas
Dimensions:
42 1/2 × 39 inches (108 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. An English Family in Macao

An English Family in Macao
Creator:
George Chinnery, 1774–1852
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
28 3/4 x 23 1/8 inches (73 x 58.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

7. Portrait of a Family, Probably the Streatfeild Family

Portrait of a Family, Probably the Streatfeild Family
Creator:
William Dobson, 1611–1646
Date:
ca. 1645
Materials & Techniques:
Oil on canvas
Dimensions:
42 x 49 inches (106.7 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

8. The John Bacon Family

The John Bacon Family
Creator:
Arthur Devis, 1712–1787
Date:
between 1742 and 1743
Materials & Techniques:
Oil on canvas
Dimensions:
30 x 51 5/8 inches (76.2 x 131.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

9. The Buckley-Boar Family

The Buckley-Boar Family
Creator:
unknown artist
Date:
between 1758 and 1760
Materials & Techniques:
Oil on canvas
Dimensions:
38 3/4 x 43 1/2 inches (98.4 x 110.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

10. The Rest on the Flight into Egypt

The Rest on the Flight into Egypt
Creator:
John Linnell, 1792–1882
Date:
ca. 1827
Materials & Techniques:
Oil on panel
Dimensions:
7 13/16 x 10 1/2 inches (19.8 x 26.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

11. Ring O' Roses

Ring O' Roses
Creator:
Thomas Webster, 1800–1886
Date:
ca. 1850
Materials & Techniques:
Oil on panel
Dimensions:
12 x 16 inches (30.5 x 40.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

12. Family Group

Family Group
Creator:
James Millar, ca.1735–1805
Date:
between 1774 and 1780
Materials & Techniques:
Oil on canvas
Dimensions:
50 × 40 1/2 inches (127 × 102.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

13. A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames

A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. London Cries: Fun upon Fun

London Cries: Fun upon Fun
Creator:
Paul Sandby, 1731–1809
Date:
1759
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Man and Woman Holding Baby, Seated on Bank

Man and Woman Holding Baby, Seated on Bank
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/16 x 5 3/16 inches (16.4 x 13.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Conway Castle

Conway Castle
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. La bonheur du Mariage

La bonheur du Mariage
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint with etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 10 1/16 inches (40.4 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. A Carriage and Pair, with Coachman

A Carriage and Pair, with Coachman
Creator:
Paul Sandby, 1731–1809
Date:
1774
Materials & Techniques:
Gray wash, brown wash, white gouache and graphite on thin, slightly textured, beige laid paper
Dimensions:
Mount: 4 1/16 × 4 15/16 inches (10.3 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, white gouache, pen and black ink and graphite on moerately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 11 5/8 inches (16.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Maniac

The Maniac
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Mr. Wood Offers to Adopt Little Jack Sheppard

Mr. Wood Offers to Adopt Little Jack Sheppard
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 8 11/16 x 7 7/16 inches (22 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

25. Four O'Clock in the Country

Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1788 and 1790
Materials & Techniques:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 7/8 x 15 3/4 inches (32.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Dead Horse on a Knacker's Cart

A Dead Horse on a Knacker's Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/16 x 6 1/16 inches (8.7 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Fitting out. - Plate 1

Fitting out. - Plate 1
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Sunday Morning, A Cottage Family Going to Church

Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Virtuous Love

Virtuous Love
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving and etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/8 × 8 3/4 inches (19.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Mr. Garrick in "The Farmer's Return"

Mr. Garrick in "The Farmer's Return"
Creator:
Johann Jacobus Haid, 1704–1767
Date:
1766
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 x 19 7/8 inches (43.2 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Man Holding a Claude Glass

Man Holding a Claude Glass
Creator:
copy after Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Clapham

No cover image available
Creator:
Print made by William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection