On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Genre: cityscape / Subject Terms: hills

Mary Harcourt, 1750–1833

Tournon Opposite to Teint on the Rhone

ca. 1780

Charles Gore, 1729–1807

Konigstein

1789

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

James Miller, active 1773–1814

Caves

1770s

unknown artist

West View of the City of Edinburgh

ca. 1765

Print made by John Couse, active 1753–1764

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..

between 1780 and 1815

unknown artist

The Prospect of ye Town of Perth

unknown artist

The Prospect of ye Town of Dundee

unknown artist

The Prospect of the Town of St. Andrews

Thomas Bowles III A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Print made by Thomas Bowles III, ca. 1712–1767

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

between 1780 and 1815

Print made by James Mason, 1710–1783

A Prospect of the City of Dublin, from the Magazine Hill, in his Majesty's Phoenix Park

Print made by Thomas Bowles III, ca. 1712–1767

A Perspective View of the City of Naples

undated

unknown artist

A General View of the City of Madrid, the Capital of Kingdom of Spain

Print made by Thomas Bowles III, ca. 1712–1767

A View of Florence from the Convent of Capuchins at Montugi

undated

Samuel Buck, 1696–1779

The South View of Berwick Upon Tweed

ca. 1743-1745

William Marlow, 1740–1813

Tivoli

ca. 1768

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

William Marlow, 1740–1813

Nîmes from the Tour Magne

ca. 1765

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

John Robert Cozens, 1752–1797

Nice

undated