A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
802
Joseph Farington, 1747–1821
Shakespearean Scene (?): A Pilgrim
1796
803
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
804
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
805
unknown artist
Fluellen Forcing Pistol to Eat His Leek
undated
806
Richard Westall, 1765–1836
Alcibiades and Timon
ca. 1805
807
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
808
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
809
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
810
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
811
Henry Fuseli, 1741–1825
Figure Leaning over Stairs
1789
812
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
813
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
814
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
815
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
816
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
817
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
818
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
819
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
820
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
821
Richard Earlom, 1743–1822
Shakespeare, King Lear, Act I, Scene I
1803
822
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
823
Samuel Atkins, active 1787–1808
Shakespeare Cliff, Dover
ca. 1800
824
John Dixon, ca. 1740–1811
David Garrick, Esq
1779
825
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
826
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
827
Mary Hoare, 1744–1820
Prospero and Miranda
1781
828
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
829
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
830
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
831
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
832
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
833
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
834
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
835
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
836
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
837
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
838
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
839
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
840
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
841
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
842
Richard James Lane, 1800–1872
Chas. Kemble Esqr., 1798
1830
843
Richard James Lane, 1800–1872
Mrs. John Kemble
844
Richard James Lane, 1800–1872
Miss Siddons, 1797
1830
845
Richard James Lane, 1800–1872
Sir Toby Belch, 1800
between 1815 and 1838
846
Richard James Lane, 1800–1872
Mrs. Siddons
1830
847
Richard James Lane, 1800–1872
Chas. Kemble Esqr
1805
848
Richard James Lane, 1800–1872
Miss Siddons, 1800
1830
849
unknown artist
Mr. Charles Kemble as Pierre (Volume of 102 Lithographs)
850
John Hayter, 1800–1895
Madame Pasta as Desdemona (Volume of 102 lithographs)
undated
851
unknown artist
Mr. Hughes House under Shakespeare's Cliff
undated
852
Samuel William Reynolds, 1773–1835
Anne Page and Slender
1829
853
William S. Leney, 1769–1831
As You Like It: Act I, Scene II: Before the Duke's Palace
1803
854
Peter Simon, 1750–1810
As You Like It: Act V, Scene IV: A Forest: Duke Senior, Amiens etc
1803
855
James Fittler, 1758–1835
Winter's Tale, Act IV, Scene III: A Shepherds Cot
1803
856
Peltro W. Tomkins, 1760–1840
As You Like it, Act II, Scene VII: The Seven Ages: The First Age
1803
857
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Fifth Age
1803
858
Print made by Robert Thew, 1758–1802
Near Milford Haven, 'Cymbeline,' Act III, Scene IV
1803
859
Peter Simon, 1750–1810
Measure for Measure, Act V, Scene I: "Duke in a Friar's Habit, Varrius, Lords Angelo, Escalus, Lucio and Citizens"
1803
860
Thomas Ryder, 1746–1810
MacBeth, Act I, Scene III: "A Heath"
1803
861
Charles Gauthier Playter, died 1809
Comedy of Errors, Act V, Scene I: "A Street before the Priory"
1803
862
Peter Simon, 1750–1810
Much Ado About Nothing, Act IV, Scene I, "A Church"
1803
863
Peter Simon, 1750–1810
Much Ado About Nothing, Act III, Scene I, "An Orchard"
1803
864
Peter Simon, 1750–1810
Merchant of Venice, Act II, Scene V: "Shylock's House"
1803
865
William C. Wilson, active 1798–1836
As You Like It: Act IV, Scene III: A Forest: Orlando and Oliver
1803
866
Robert Thew, 1758–1802
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
867
Samuel Middiman, ca. 1750–1831
A Winter's Tale, Act III, Scene III: A Desert Place Near the Sea
1803
868
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Second Age
1803
869
Peter Simon, 1750–1810
Winter's Tale, Act II, Scene III: A Palace: Leontes, Antigone, Lords, etc
1803
870
Peter Simon, 1750–1810
As You Like it, Act II, Scene VII: The Seven Ages: The Seventh Age
1803
871
William S. Leney, 1769–1831
As You Like it, Act II, Scene VII: The Seven Ages: The Sixth Age
1803
872
Luigi Schiavonetti, 1765–1810
Troilus and Cressida, Act V, Scene II: Calcha's Tent
1803
873
Thomas Ryder, 1746–1810
A Midsummer Night's Dream, Act IV, Scene I: Oberon, Queen of the Fairies, Puck, Bottom, etc
1803
874
John Browne, 1741–1801
Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
1803
875
Peter Simon, 1750–1810
Taming of the Shrew: Introduction, Scene II: A Room in the Lord's House
1803
876
George Siegmund Facius, 1750–1804
All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc
1803
877
John Ogborne the Elder, 1755–1795
As You Like it, Act II, Scene VII: The Seven Ages: The Fourth Age
1803
878
Print made by Thomas Burke, 1749–1815
Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
1803
879
Francis Legat, 1755–1809
Troilus and Cressida, Act II, Scene II: Scene, Troy - Cassandrra Raving
1803
880
Shakespeare's House, at stratford on Avon
881
Room in which the immortal Shakspeare, was born. Stratford on Avon
882
Shakspeare's Grave Stone
883
Shakespeare Chair
884
Room in which Shakespeare was born
1888
885
House in which Shakespeare was born
undated
886
The House at Stratford Upon Avon, in which Shakspeare was born; with a representation of Tragedy, & Comdy, crowning the bust of Shakspeare, surrounded by principal Dramatic Charaters
887
Thomas Ryder, 1746–1810
Midsummer Night's Dream. Act IV. Scene I
1803
888
John Swaine, 1775–1860
Shakspeare from the First Folio Edition
889
after Sylvester Harding, 1745–1809
Shakspeare from an original Picture in the Possession of the late Duke of Chandois