Materials & Techniques: aquatint / Genre: architectural subject / Image Use: Under Certain Circumstances

1. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 × 31 1/8 inches (51.4 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/8 inches (27.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

3. Back Entrance to Solomon's Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

4. Forth Bridge, Scotland

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. House of Sallust

Creator:: Print made by William Walcot, 1874–1943
Date:: 1920
Materials & Techniques:: Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 13 3/4 inches (28.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Caesar in Egypt

Creator:: Print made by William Walcot, 1874–1943
Date:: 1926
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. The Bridge, Cahors

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream wove paper
Dimensions:: Plate: 7 1/8 × 9 3/8 inches (18.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

8. A Kashmir Bridge

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1924
Materials & Techniques:: Aquatint; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 5 5/8 × 7 3/8 inches (14.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Holy River

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1912
Materials & Techniques:: Etching and drypoint, with aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. Interior of St. Peter's, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 12 7/8 inches (30.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Back Entrance to Solomon's Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. An Egyptian Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 17 7/8 inches (38.1 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

18. Antony's Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1928
Materials & Techniques:: Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. Ludgate Hill

Creator:: Print made by William Walcot, 1874–1943
Date:: 1921
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

20. Park Avenue, New York

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 5/8 inches (25.7 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Ingraham, Yale BA 1910, in memory of Carl A. Lohmann, Yale BA 1910, transfer from the Yale University Art Gallery

21. The Library of San Marco, Venice

Creator:: Print made by William Walcot, 1874–1943
Date:: 1920
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 1/2 × 5 1/4 inches (8.9 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Bride, Paul and Virginia, the Chalees Satoon, East India

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on thick cream card
Dimensions:: Sheet: 5 1/4 × 10 9/16 inches (13.4 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. XXXIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

28. IV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. V

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. XIX

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. XXXIII

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. A Court of Justice, Ancient Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 34 1/2 × 27 inches (87.6 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

33. Temple of Romulus

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/2 × 28 3/8 inches (57.2 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

34. The Caldarium of the Baths of Caracalla

Creator:: Print made by William Walcot, 1874–1943
Date:: 1915
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 × 20 1/2 inches (66 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. The Basilica of Maxentius

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured cream wove paper
Dimensions:: Sheet: 18 × 22 3/4 inches (45.7 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

36. The Lonely Tower, Roman Campagna

Creator:: George Percival Gaskell, 1868–1934
Date:: undated
Materials & Techniques:: Aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 19 7/8 inches (33.7 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Shaftesbury House, Aldersgate Street

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Aquatint on smooth, medium, white laid paper
Dimensions:: Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Antony in Egypt No.2, Morning of the Festival

Creator:: Print made by William Walcot, 1874–1943
Date:: 1916
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 26 inches (66.4 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. Entry of a Roman Consul

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/2 × 35 1/2 inches (67.3 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

40. In the Days of Justinian

Creator:: Print made by William Walcot, 1874–1943
Date:: 1925
Materials & Techniques:: Etching, open biting, and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/4 × 30 5/8 inches (56.5 × 77.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

41. Antony in Egypt No.1 (A Visit to Cleopatra)

Creator:: Print made by William Walcot, 1874–1943
Date:: 1913
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 30 3/8 × 25 3/8 inches (77.2 × 64.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

42. The Trojan Horse

Creator:: Print made by William Walcot, 1874–1943
Date:: 1914
Materials & Techniques:: Etching, open biting, and aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 3/4 × 34 1/2 inches (70.5 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. Temple of Power, Battersea Power Station

Creator:: Charles Potter, Born 1878
Date:: 1935
Materials & Techniques:: Aquatint on smooth, thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 18 11/16 inches (38.4 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Noiseless Music of the Night

Creator:: Print made by George Percival Gaskell, 1868–1934
Date:: ca. 1920
Materials & Techniques:: Aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

45. The Three Swords

Creator:: Print made by unknown artist
Date:: ca. 1821
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 × 11 3/4 inches (48.3 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Search Constraints

Materials & Techniques aquatint

Genre architectural subject

Image Use Under Certain Circumstances

Search Results

1. East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

2. Caesar in Egypt

3. Back Entrance to Solomon's Palace

4. Forth Bridge, Scotland

5. House of Sallust

6. Caesar in Egypt

7. The Bridge, Cahors

8. A Kashmir Bridge

9. Funeral of the Late Duke of Wellington

10. Funeral of the Late Duke of Wellington

11. Funeral of the Late Duke of Wellington

12. Funeral of the Late Duke of Wellington

13. Funeral of the Late Duke of Wellington

14. The Holy River

15. Interior of St. Peter's, Rome

16. Back Entrance to Solomon's Palace

17. An Egyptian Palace

18. Antony's Palace

19. Ludgate Hill

20. Park Avenue, New York

21. The Library of San Marco, Venice

22. Balmoral Castle

23. Balmoral Castle

24. Balmoral Castle

25. The Bride, Paul and Virginia, the Chalees Satoon, East India

26. Funeral of the Late Duke of Wellington

27. XXXIX

28. IV

29. V

30. XIX

31. XXXIII

32. A Court of Justice, Ancient Rome

33. Temple of Romulus

34. The Caldarium of the Baths of Caracalla

35. The Basilica of Maxentius

36. The Lonely Tower, Roman Campagna

37. Shaftesbury House, Aldersgate Street

38. Antony in Egypt No.2, Morning of the Festival

39. Entry of a Roman Consul

40. In the Days of Justinian

41. Antony in Egypt No.1 (A Visit to Cleopatra)

42. The Trojan Horse

43. Temple of Power, Battersea Power Station

44. The Noiseless Music of the Night

45. The Three Swords