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Credit Line Yale Center for British Art, Paul Mellon Collection

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301. Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)

Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 17 5/8 inches (28 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Tiger Skeleton, Lateral View (Highly finished study for Table IV)

Tiger Skeleton, Lateral View (Highly finished study for Table IV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 16 3/8 inches (28.3 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Human Skeleton, Lateral View

Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Human Skeleton, Lateral View

Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 17 1/4 inches (26.7 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. Tiger Body, Lateral View

Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 x 21 1/8 inches (40.6 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. Leopard Body, Lateral View

Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 14 inches (25.1 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)

Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Tiger Body, Recumbent, Viewed Ventrally

Tiger Body, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Tiger Body, Standing in Human Posture

Tiger Body, Standing in Human Posture
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 x 9 1/2 inches (27.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Fowl Skeleton, Lateral View

Fowl Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 14 3/8 inches (51.8 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Fowl Skeleton, Lateral View

Fowl Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 14 1/4 inches (52.1 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite; verso: graphite on medium, slightly textured, cream wove paper; pin pricks above beak
Dimensions:
Sheet: 20 1/4 × 13 3/4 inches (51.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Fowl Body, Lateral View (Outline drawing, related to Table XV)

Fowl Body, Lateral View (Outline drawing, related to Table XV)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 x 15 inches (52.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)

Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/8 x 14 inches (51.8 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Fowl Body, Lateral View

Fowl Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Dorking Hen, Lateral View

Dorking Hen, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Red and black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 5/8 inches (4.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/8 x 1 7/8 inches (5.4 x 4.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 1 1/2 x 1 5/8 inches (3.8 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 3/4 inches (4.4 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 3/4 inches (5.1 x 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 1 5/8 inches (4.4 x 4.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 3/4 x 2 inches (4.4 x 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Grotesque Male Head

Grotesque Male Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 x 1 1/2 inches (5.1 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. The First Stage of Cruelty

The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Painting of Pharoah's Daughter and Moses in the Foundling Hospital

Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. Fair Scene

Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
Creator:
William Hogarth, 1697–1764
Date:
1718
Materials & Techniques:
Line engraving (reprint)
Dimensions:
Plate: 7 x 5 1/8 inches (17.8 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Hogarth Painting the Comic Muse

Hogarth Painting the Comic Muse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled

And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. A Rake's Progress, Plate I: He Takes Possession

A Rake's Progress, Plate I: He Takes Possession
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 1/2 x 15 3/16in. (31.8 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. A Rake's Progress, Plate II: His Levee

A Rake's Progress, Plate II: His Levee
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/4in. (31.1 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Southwark Fair

Southwark Fair
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. A Rake's Progress, Plate IV: Goes to Court

A Rake's Progress, Plate IV: Goes to Court
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. A Rake's Progress, Plate III: He Revels

A Rake's Progress, Plate III: He Revels
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line Engraving
Dimensions:
Sheet: 12 3/8 x 15 1/4in. (31.4 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. A Midnight Modern Conversation

A Midnight Modern Conversation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. A Rake's Progress, Plate V: He Marries

A Rake's Progress, Plate V: He Marries
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. A Rake's Progress, Plate VI: He Gambles

A Rake's Progress, Plate VI: He Gambles
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 1/8in. (31.1 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. A Rake's Progress, Plate VII: In Fleet Street Prison

A Rake's Progress, Plate VII: In Fleet Street Prison
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. A Rake's Progress, Plate VIII: In Bedlam

A Rake's Progress, Plate VIII: In Bedlam
Creator:
William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 12 3/8 x 15 1/8in. (31.4 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. The Stage Coach; Or Country Inn Yard

The Stage Coach; Or Country Inn Yard
Creator:
William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/16 x 11 3/4in. (20.5 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Scholars at a Lecture (A Chorus of Singers)

Scholars at a Lecture (A Chorus of Singers)
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 1/8 x 6 7/8in. (20.6 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. The Sleeping Congregation

The Sleeping Congregation
Creator:
Print made by William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 × 8 1/4 inches (26.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. The Distrest(ed) Poet

The Distrest(ed) Poet
Creator:
William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/4 x 15 3/16in. (31.1 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Strolling Actresses Dressing in a Barn

Strolling Actresses Dressing in a Barn
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 21 3/16in. (41.9 x 53.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. The Enraged Musician

The Enraged Musician
Creator:
William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. The Bench

The Bench
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving on wove paper
Dimensions:
Sheet: 12 3/8 x 8 1/4in. (31.4 x 21cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Chairing the Members, Plate IV

Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. The Cockpit

The Cockpit
Creator:
William Hogarth, 1697–1764
Date:
1759
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/2 x 15in. (31.8 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. The Laughing Audience

The Laughing Audience
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 6 7/8in. (19.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses

And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Colombus breaking the Egg

Colombus breaking the Egg
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 1/2 x 6 7/8in. (14 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. A Consultation of Physicians

A Consultation of Physicians
Creator:
William Hogarth, 1697–1764
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 5/8 x 7in. (21.9 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Subscription Ticket: Three Characters and Four Caricaturas

Subscription Ticket: Three Characters and Four Caricaturas
Creator:
William Hogarth, 1697–1764
Date:
1743
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 3/8 x 8 15/16in. (23.8 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. The First Stage of Cruelty: First, Children Torturing Animals

The First Stage of Cruelty: First, Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Gulielmus Hogarth

Gulielmus Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1749
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/16 x 11 3/8in. (38.3 x 28.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)

The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. Simon Lord Lovat

Simon Lord Lovat
Creator:
William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching
Dimensions:
Sheet: 13 1/8 x 8 7/8in. (33.3 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Analysis of Beauty, Plate II: A Country Dance

Analysis of Beauty, Plate II: A Country Dance
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. The Invasion, Plate I: France

The Invasion, Plate I: France
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 15in. (29.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. An Election Entertainment, Plate I

An Election Entertainment, Plate I
Creator:
William Hogarth, 1697–1764
Date:
1755-58
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Analysis of Beauty, Plate I: A Statuary's Yard

Analysis of Beauty, Plate I: A Statuary's Yard
Creator:
William Hogarth, 1697–1764
Date:
1753
Materials & Techniques:
Engraving on paper
Dimensions:
Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. The Polling, Plate III

The Polling, Plate III
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. The Invasion, Plate II: England

The Invasion, Plate II: England
Creator:
William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 1/2 x 14 3/4in. (29.2 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Prospectus print "Crown & Mitre"

Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Grotesque Female Head

Grotesque Female Head
Creator:
attributed to William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. The Four Times of Day, Plate I: Morning

The Four Times of Day, Plate I: Morning
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 18 x 14 7/8in. (45.7 x 37.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. The Four Times of Day, Plate II: Noon

The Four Times of Day, Plate II: Noon
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving, second state
Dimensions:
Sheet: 19 3/8 x 16 1/16in. (49.2 x 40.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. The Four Times of Day, Plate IV: Night

The Four Times of Day, Plate IV: Night
Creator:
William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 14 1/2in. (44.1 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. William Hogarth

William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. Gabriel Hunt

Gabriel Hunt
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Gray wash, black chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 7 1/8 inches (26.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Benjamin Read

Benjamin Read
Creator:
William Hogarth, 1697–1764
Date:
ca. 1757
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 1/2 x 9 3/4 inches (26.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock

George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Hymen

Hymen
Creator:
William Hogarth, 1697–1764
Date:
ca. 1748
Materials & Techniques:
Black chalk on medium, slightly textured, brown paper
Dimensions:
Sheet: 19 1/2 x 14 1/2 inches (49.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Study of a Female Nude

Study of a Female Nude
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Solitude

Solitude
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1814
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. Dumblain Abbey, Scotland

Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Entrance of Calais Harbour

Entrance of Calais Harbour
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. The Source of the Arveron in the Valley of Chamouni, Savoy

The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Ville de Thun, Switzerland

Ville de Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. The Source of the Arveron in the Valley of Chamouni, Savoy

The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. The Alcove, Isleworth

The Alcove, Isleworth
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Second published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. The Alcove, Isleworth

The Alcove, Isleworth
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink; Engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, with graphite; Engraver's proof (d)(touched) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Aesacus and Hesperie

Aesacus and Hesperie
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection