Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night
1829
On view at YUAG
3
Joseph Mallord William Turner, 1775–1851
Staffa, Fingal's Cave
1831 to 1832
On view at YUAG
4
Joseph Mallord William Turner, 1775–1851
Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore
between 1833 and 1834
On view at YUAG
5
Joseph Mallord William Turner, 1775–1851
Inverary Pier, Loch Fyne: Morning
ca. 1845
On view at YUAG
6
Joseph Mallord William Turner, 1775–1851
Dort or Dordrecht: The Dort Packet-Boat from Rotterdam Becalmed
1818
On view at YUAG
7
Francis Danby, 1793–1861
A Mountain Chieftain's Funeral
ca. 1848
Not on view
8
Samuel Palmer, 1805–1881
The Harvest Moon
ca. 1833
Not on view
9
John Constable, 1776–1837
Ploughing Scene in Suffolk
1824 to 1825
Not on view
10
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
11
John Constable, 1776–1837
Hampstead Heath, with a Bonfire
ca. 1822
Not on view
12
John Constable, 1776–1837
Hadleigh Castle
1828 to 1829
Not on view
13
John Constable, 1776–1837
Somerset House Terrace from Waterloo Bridge
ca. 1819
Not on view
14
John Constable, 1776–1837
Dedham Lock
between 1819 and 1820
Not on view
15
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
16
John Constable, 1776–1837
Mary Freer
1809
Not on view
17
John Constable, 1776–1837
Undergrowth
ca. 1815
Not on view
18
John Constable, 1776–1837
Cloud Study
1822
Not on view
19
John Constable, 1776–1837
Stormy Sea, Brighton
ca. 1828
Not on view
20
John Constable, 1776–1837
Study of a Cloudy Sky
ca. 1825
Not on view
21
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
22
John Constable, 1776–1837
Cloud Study
1821
Not on view
23
John Constable, 1776–1837
Cloud Study
1821
Not on view
24
George Stubbs, 1724–1806
Zebra
1763
Not on view
25
George Stubbs, 1724–1806
A Lion Attacking a Horse
1762
Not on view
26
Richard Parkes Bonington, 1802–1828
Beached Vessels and a Wagon near Trouville
ca. 1825
On view at YUAG
27
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view at YUAG
28
Richard Parkes Bonington, 1802–1828
Corso Sant'Anastasia, Verona
1828
On view at YUAG
29
Richard Parkes Bonington, 1802–1828
A Fish-market near Boulogne
1824
On view at YUAG
30
Sir Thomas Lawrence, 1769–1830
George James Welbore Agar-Ellis, later first Baron Dover
1823 to 1824
On view at YUAG
31
Richard Parkes Bonington, 1802–1828
Near Quillebeuf
between 1824 and 1825
On view at YUAG
32
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
33
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
34
William Blake, 1757–1827
Virgin and Child
1825
Not on view
35
George Romney, 1734–1802
Ann Wilson (née Harrison) and Her Daughter, Sybill
between 1776 and 1777
Not on view
36
James Ward, 1769–1859
Man Struggling with a Boa Constrictor, Study for “The Liboya Serpent Seizing His Prey”
ca. 1803
Not on view
37
John Webber, 1752–1793
Burial Ground in the South Seas
ca. 1777
Not on view
38
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
39
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
40
James Ward, 1769–1859
Portraits of Two Extraordinary Oxen, the Property of the Earl of Powis
1814
Not on view
41
Joseph Wright of Derby, 1734–1797
Cottage on Fire at Night
between 1785 and 1793
Not on view
42
James Ward, 1769–1859
Self-Portrait
1830
Not on view
43
William Hodges, 1744–1797
Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
ca. 1790
Not on view
44
Richard Parkes Bonington, 1802–1828
Seated Turk
1826
Not on view
45
Philippe-Jacques de Loutherbourg, 1740–1812
A Philosopher in a Moonlit Churchyard
1790
Not on view
46
Ramsay Richard Reinagle, 1775–1862
An Ornithologist, Possibly John Latham
1802
Not on view
47
Francesco Renaldi, 1755–after 1798
Portrait of an Unknown Woman
1789
Not on view
48
Joseph Wright of Derby, 1734–1797
Cavern, near Naples
1774
Not on view
49
George Henry Harlow, 1787–1819
Henry Fuseli
1817
Not on view
50
Joseph Wright of Derby, 1734–1797
Vesuvius from Posillipo
ca. 1788
Not on view
51
Henry Fuseli, 1741–1825
Dido
1781
Not on view
52
Tilly Kettle, 1735–1786
Shuja-ud-Daula, Nawab of Oudh
1772
Not on view
53
Joseph Wright of Derby, 1734–1797
Matlock Tor by Moonlight
between 1777 and 1780
Not on view
54
John Martin, 1789–1854
The Deluge
1834
Not on view
55
Richard Wilson, 1713/4–1782
The Destruction of the Children of Niobe
1760
Not on view
56
Benjamin West, 1738–1820
The Artist and His Son Raphael
1773
Not on view
57
George Jones, 1786–1869
A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'
1815
Not on view
58
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
ca. 1840
Not on view
59
Sir Thomas Lawrence, 1769–1830
Lord Granville Leveson-Gower, later first Earl Granville
between 1804 and 1809
Not on view
60
Richard Parkes Bonington, 1802–1828
In the Forest at Fontainebleau
ca. 1825
Not on view
61
Sir Thomas Lawrence, 1769–1830
Admiral John Markham
ca. 1793
Not on view
62
Jacques-Laurent Agasse, 1767–1849
Clouded Leopards
ca. 1825
Not on view
63
Richard Parkes Bonington, 1802–1828
A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
ca. 1826
Not on view
64
Henry Fuseli, 1741–1825
The Mandrake: A Charm
exhibited RA 1785
Not on view
65
John Martin, 1789–1854
Belshazzar's Feast
1820
Not on view
66
William Hodges, 1744–1797
A View of Matavai Bay in the Island of Otaheite [Tahiti]
1776
Not on view
67
Thomas Gainsborough, 1727–1788
Mountain Valley with Figures and Distant Village
between 1773 and 1777
Not on view
68
John Linnell, 1792–1882
The Rest on the Flight into Egypt
ca. 1827
Not on view
69
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
70
Thomas Woolner, 1825–1892
William Charles Wentworth
1854
Not on view
71
Thomas Woolner, 1825–1892
Sir Charles Nicholson
1854
Not on view
72
Samuel Palmer, 1805–1881
Foxgloves
undated
73
Samuel Palmer, 1805–1881
Brambles
undated
74
Samuel Palmer, 1805–1881
Ancient Trees, Lullingstone Park
1828
75
Samuel Palmer, 1805–1881
A Moonlit Scene with a Winding River
ca. 1827
76
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
77
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
78
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
79
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
80
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
81
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
82
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (looking towards the lake)
1845
83
Joseph Mallord William Turner, 1775–1851
Saint Augustine's Gate, Canterbury
ca. 1793
84
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
85
Joseph Mallord William Turner, 1775–1851
Upper Fall of the Reichenbach: Rainbow
1810
86
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
87
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
88
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
89
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
90
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
91
Print made by William Blake, 1757–1827
The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
1827
92
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
93
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
94
Print made by William Blake, 1757–1827
The Baffled Devils Fighting (Plate 3)
1827
95
Print made by William Blake, 1757–1827
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
1804 to 1820
96
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
97
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
98
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
99
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
100
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)