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On-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomPeriod 19th century
Remove constraint Period: 19th centuryExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Search Results
1
- The Crescent Moon
- undated
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
2
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
3
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
4
- Jerusalem, Plate 100
- 1804 to 1820
5
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
6
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
7
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
8
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
9
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
10
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
11
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
12
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
13
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
14
- Jerusalem, Plate 76
- 1804 to 1820
15
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
16
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
17
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
18
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
19
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
20
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
21
- Rev. John Caspar Lavater (1787-1801)
- 1800
22
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
23
- Jerusalem, Plate 51
- 1804 to 1820
24
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
25
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
26
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
27
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
28
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
29
- Mary Magdalen at the Sepulchre
- ca. 1805
30
- The Parable of the Wise and Foolish Virgins
- ca. 1825
31
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
32
- The Shepherd
- 1827
33
- William Blake in Youth and Age
- ca. 1830
34
- The Peasants' Nest: Cowper's tame Hares
- 1802
35
- A Father's Memoirs of His Child
- 1806
36
- A Father's Memoirs of His Child
- 1806
37
- A Father's Memoirs of His Child
- 1806
38
- Ballads
- 1805
39
- Death's Door
- 1808
40
- A Midsummer Night's Dream, Act IV, Scene I
- c.1796