Jerusalem, Plate 89, "Tho divided by the Cross...."
1804 to 1820
179
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
180
Print made by William Blake, 1757–1827
Jerusalem, Plate 93, "Enitharmon heard...."
1804 to 1820
181
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
182
Print made by William Blake, 1757–1827
Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
1804 to 1820
183
Print made by William Blake, 1757–1827
Jerusalem, Plate 98, "Then each an Arrow flaming...."
1804 to 1820
184
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
185
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
186
William Blake, 1757–1827
The Complaint and The Consolation: or Night Thoughts
ca. 1797
187
William Blake, 1757–1827
The Complaint and the Consolation; or Night Thoughts
1797
188
William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
189
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
190
William Blake, 1757–1827
Illustrations of the Book of Job
1825
191
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
192
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
193
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
194
William Blake, 1757–1827
The Book of Thel
1789
195
William Blake, 1757–1827
The [First] Book of Urizen
1794
196
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
197
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
198
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
199
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London