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1
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
2
- The Eleventh Hour
- 1817
3
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
4
- The Search after Truth
- undated
5
- A Study for the Pilkington Crest, a mower with a scythe
- undated
6
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
7
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
8
- Funeral Procession at Rome
- 1818
9
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
10
- Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
- undated
11
- River Landscape with Figures
- undated
12
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
13
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
14
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
15
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
16
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
17
- The Smock Exposed
- 1817
18
- The Reconcilation
- 1817
19
- Hogarth Drawing Sarah Malcolm
- 1817
20
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
21
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
22
- Hogarth Sitting to Roubiliac for His Bust
- 1817
23
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
24
- A Family in Hyde Park
- undated
25
- A Chaise and Pair, With Post-Boy
- undated
26
- "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
- 1729
27
- Illustration to H. Bunbury ('Geoffrey Gambado') Annals of Horsemanship: '6 Love and Wind'
- undated
28
- Haymaking
- undated
29
- A Soldier's Knapsack: Two Studies, Side and Front View
- undated
30
- Horsemen Colliding
- between 1785 and 1790
31
- A Village Scene with Girls Spinning
- undated
32
- Figures with a Wagon and Horses
- undated
33
- Riders, Figures and a Dog
- undated
34
- "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
- 1729
35
- A Stage Coach Outside of the Entrance of an Inn
- undated
36
- A Girl Giving a Key to a Cavalier
- undated
37
- A Grub Street Poet
- undated
38
- Hyde Park Corner
- undated
39
- Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
- undated
40
- Drawing for a Frontispiece: "The Toast"
- 1735