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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Available
Remove constraint Image Available: AvailableSubject Terms study (visual work)
Remove constraint Subject Terms: study (visual work)Search Results
1
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
2
- Siracusa, 12. June 1847
- 1847
3
- A Seated Woman
- undated
4
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
5
- A Study of Pinks and Roses
- undated
6
- A Study of Pinks and Roses
- undated
7
- A Study of Pinks and Roses
- undated
8
- A Study in Pinks and Roses
- undated
9
- A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
- Between 1747 and 1755
10
- The Fall of Phaeton: A Study for a Ceiling
- undated
11
- Diana and Actaeon: A Study for a Panel on a Staircase
- undated
12
- Sketch for "Reading the Will"
- before 1820
13
- Classical Study of Three Figures
- undated
14
- The Chelsea Pensioners Reading the Waterloo Dispatch
- before 1822
15
- Study for the View of Cambridge from Castle Hill
- undated
16
- Study of Trees
- undated
17
- Study of a Vase
- undated
18
- A Black Leg Detected Secreting Cards (a Study)
- undated
19
- The Duchess of Gordon's Rout
- undated
20
- Study of an Oak Leaf
- undated
21
- Portrait Study of John Philip Kemble
- undated
22
- Studies of Two Riders, and of Rider's Heads
- undated
23
- A Horseman in a Landscape
- 1814
24
- Study of Two Willows
- ca. 1760
25
- Study of a Saddled Horse and Horse's Head
- undated
26
- Studies of facial features of a horse
- undated
27
- Study of a Calf
- undated