Materials & Techniques: chine collé / Credit Line: Yale Center for British Art, Paul Mellon Collection / Image Available: Available / Width [cm]: 35

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Materials & Techniques chine collé

Credit Line Yale Center for British Art, Paul Mellon Collection

Image Available Available

Width [cm] 35

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by James C. Allen, active 1821–1831

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831

Dunwich

1819-1826

Print made by James C. Allen, active 1821–1831

Aldborough

1819-1826

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Print made by Richard Parkes Bonington, 1802–1828

Rue du Gros Horloge

1824

Print made by Richard Parkes Bonington, 1802–1828

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

James Duffield Harding, 1798–1863

Cascades de Thiers, Auvergne

undated

Louis Haghe, 1806–1885

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by James Charles Armytage, 1802–1897

The Monk

between 1833 and 1853

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by John Byrne, 1786–1847

Rome, Tomb of Cecilia Metella

1818-1820

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